GENERAL DESCRIPTION
This color lithograph by Mexican printmaker Rufino Tamayo demonstrates the artist’s return to obscured, mysterious, and ominous abstracted figures in his work. Here Tamayo prints a perfectly symmetrical man, standing prominently in the center of the image. The vibrant orange-red background contrasts with the rusty, hardly decipherable, yet partitioned limbs of the man’s body. A darker ink is added throughout the print, applied generously and speckled unevenly, encompassing the man’s body in a cloud of smoke. The chaos suggests the figure teeters on the edge of dissolving into amorphousness.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
NOTES
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Tamayo_Rufino: ULAN: 500024331
Cultures
Geography
Mexico (nation): TGN: 7005560
Mexico City (Mexico): TGN: 7007227
Process/materials
color lithographs: AAT: 300041383
lithographs (planographic prints): AAT: 300041379
lithography: AAT: 300053271
chromolithographs: AAT: 300041384
chromolithography: AAT: 300053272
Mixografia (R) (embossed prints): AAT: 300265654
embossing (technique): AAT: 300053826
Historical periods
Individuals
Subject terms
prints (visual works): AAT: 300041273
works on paper: AAT: 300189621
figures (representations): AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
men (male humans): AAT: 300025928
standing: AAT: 300239500
abstract: AAT: 300108127
abstraction: AAT: 300056508
bodies (human and animal components): AAT: 300404640
symmetry: AAT: 300056249
arms (animal or human components): AAT: 300310201
legs (animal or human components): AAT: 300310192
geometric shape: AAT: 300263819
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
lines (geometric concept): AAT: 300056279
form (composition concepts): AAT: 300056272
curves (geometric figures): AAT: 300378887
linear forms: AAT: 300234452
color (perceived attribute): AAT: 300056130
red (color): AAT: 300126225
orange (color): AAT: 300126734
black (color): AAT: 300130920
white (color): AAT: 300129784
background: AAT: 300056369
outlines (linear form): AAT: 300124267
contrast: AAT: 300260079
shadows: AAT: 300056036
brush strokes: AAT: 300185434
ink: AAT: 300015012
splatter (spatter / speckled / printing techniques): AAT: 300254788
clouds: AAT: 300343840
smoke (material): AAT: 300073252
chaos (concepts): AAT: 300247349
RELATED OBJECTS
PROVENANCE
From 1994: Dallas Museum of Art, gift of Michael L. Rosenberg [1], [2], [3]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated December 21, 1994), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Deed of Gift (dated December 30, 1994), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1994.246.8
Category
rules_operator
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General Description
This color lithograph by Mexican printmaker Rufino Tamayo demonstrates the artist’s return to obscured, mysterious, and ominous abstracted figures in his work. Here Tamayo prints a perfectly symmetrical man, standing prominently in the center of the image. The vibrant orange-red background contrasts with the rusty, hardly decipherable, yet partitioned limbs of the man’s body. A darker ink is added throughout the print, applied generously and speckled unevenly, encompassing the man’s body in a cloud of smoke. The chaos suggests the figure teeters on the edge of dissolving into amorphousness.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Tamayo_Rufino: ULAN: 500024331
Cultures
Geography
Mexico (nation): TGN: 7005560
Mexico City (Mexico): TGN: 7007227
Process/materials
color lithographs: AAT: 300041383
lithographs (planographic prints): AAT: 300041379
lithography: AAT: 300053271
chromolithographs: AAT: 300041384
chromolithography: AAT: 300053272
Mixografia (R) (embossed prints): AAT: 300265654
embossing (technique): AAT: 300053826
Historical periods
Individuals
Subject terms
prints (visual works): AAT: 300041273
works on paper: AAT: 300189621
figures (representations): AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
men (male humans): AAT: 300025928
standing: AAT: 300239500
abstract: AAT: 300108127
abstraction: AAT: 300056508
bodies (human and animal components): AAT: 300404640
symmetry: AAT: 300056249
arms (animal or human components): AAT: 300310201
legs (animal or human components): AAT: 300310192
geometric shape: AAT: 300263819
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
lines (geometric concept): AAT: 300056279
form (composition concepts): AAT: 300056272
curves (geometric figures): AAT: 300378887
linear forms: AAT: 300234452
color (perceived attribute): AAT: 300056130
red (color): AAT: 300126225
orange (color): AAT: 300126734
black (color): AAT: 300130920
white (color): AAT: 300129784
background: AAT: 300056369
outlines (linear form): AAT: 300124267
contrast: AAT: 300260079
shadows: AAT: 300056036
brush strokes: AAT: 300185434
ink: AAT: 300015012
splatter (spatter / speckled / printing techniques): AAT: 300254788
clouds: AAT: 300343840
smoke (material): AAT: 300073252
chaos (concepts): AAT: 300247349
RELATED OBJECTS
PROVENANCE
From 1994: Dallas Museum of Art, gift of Michael L. Rosenberg [1], [2], [3]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated December 21, 1994), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Deed of Gift (dated December 30, 1994), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
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1994.246.8
source file
object_notes_3_c-0325.xml.nores