GENERAL DESCRIPTION
In 1938, at the height of the Spanish Civil War, José Antonio Fernández Muro and his family fled Madrid for Argentina, where he began training under celebrated Catalan painter Vicente Puig. Fernández Muro’s individual style took time to evolve; his first decade of painting produced works closely resembling his instructor’s figural, realist images. It was only in the 1950s that Fernández Muro abandoned the aesthetic remnants of pre-war Spain and moved his paintings toward abstraction. The length and expanse of shapes along the canvas’s edges are juxtaposed with the tightly contained assemblage of forms blossoming from the center of the canvas. By surrounding the vibrant reds and magentas of the central circular shapes with an arrangement of rectilinear forms in a gradient of grays, Fernández Muro focuses our attention on a specific area and stabilizes a composition of overlaid forms.
Excerpt from
Tower Gallery: Latin American Art, Label text, 2017.
NOTES
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Fernández Muro_Jose Antonio: ULAN: 500117890
Cultures
Geography
Spain (nation): TGN: 1000095
Madrid (Spain): TGN: 7380605
Argentina (nation): TGN: 7006477
Process/materials
oil paint: AAT: 300015050
canvas: AAT: 300014078
Historical periods
Individuals
Subject terms
painting (visual works): AAT: 300033618
violet (color): AAT: 300130602
red (color): AAT: 300126225
gray (color): AAT: 300130811
pink (color): AAT: 300124707
figures (representations): AAT: 300189808
abstract: AAT: 300108127
abstraction: AAT: 300056508
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
geometric shape: AAT: 300263819
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
spheres (geometric figures): AAT: 300055639
spherical (geometric shape): AAT: 300378898
squares (geometric figures): AAT: 300055637
rectangles (parallelograms): AAT: 300055636
violence: AAT: 300192799
wars: AAT: 300055314
battles: AAT: 300185692
civil wars: AAT: 300055315
Catalan (culture or style): AAT: 300263657
painters (artists): AAT: 300025136
Puig_Vicente: DMA
figurative art: AAT: 300056499
Realist (style): AAT: 300172861
form (composition concepts): AAT: 300056272
circular (shape): AAT: 300263827
composition (artistic arrangement): AAT: 300056255
balance (composition concept): AAT: 300056247
layers (components): AAT: 300226788
RELATED OBJECTS
PROVENANCE
From 1959: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from the artist [1], [2], [3]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry Bywaters, Director of the Dallas Museum of Fine Arts, to Jose Antonio Fernández Muro (dated December 10, 1959, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is letter (inventory list) (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[4] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1959.46
Category
rules_operator
AND
General Description
In 1938, at the height of the Spanish Civil War, José Antonio Fernández Muro and his family fled Madrid for Argentina, where he began training under celebrated Catalan painter Vicente Puig. Fernández Muro’s individual style took time to evolve; his first decade of painting produced works closely resembling his instructor’s figural, realist images. It was only in the 1950s that Fernández Muro abandoned the aesthetic remnants of pre-war Spain and moved his paintings toward abstraction. The length and expanse of shapes along the canvas’s edges are juxtaposed with the tightly contained assemblage of forms blossoming from the center of the canvas. By surrounding the vibrant reds and magentas of the central circular shapes with an arrangement of rectilinear forms in a gradient of grays, Fernández Muro focuses our attention on a specific area and stabilizes a composition of overlaid forms.
Excerpt from
Tower Gallery: Latin American Art, Label text, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Fernández Muro_Jose Antonio: ULAN: 500117890
Cultures
Geography
Spain (nation): TGN: 1000095
Madrid (Spain): TGN: 7380605
Argentina (nation): TGN: 7006477
Process/materials
oil paint: AAT: 300015050
canvas: AAT: 300014078
Historical periods
Individuals
Subject terms
painting (visual works): AAT: 300033618
violet (color): AAT: 300130602
red (color): AAT: 300126225
gray (color): AAT: 300130811
pink (color): AAT: 300124707
figures (representations): AAT: 300189808
abstract: AAT: 300108127
abstraction: AAT: 300056508
geometric motifs: AAT: 300009764
geometric abstraction: AAT: 300056509
geometric shape: AAT: 300263819
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
spheres (geometric figures): AAT: 300055639
spherical (geometric shape): AAT: 300378898
squares (geometric figures): AAT: 300055637
rectangles (parallelograms): AAT: 300055636
violence: AAT: 300192799
wars: AAT: 300055314
battles: AAT: 300185692
civil wars: AAT: 300055315
Catalan (culture or style): AAT: 300263657
painters (artists): AAT: 300025136
Puig_Vicente: DMA
figurative art: AAT: 300056499
Realist (style): AAT: 300172861
form (composition concepts): AAT: 300056272
circular (shape): AAT: 300263827
composition (artistic arrangement): AAT: 300056255
balance (composition concept): AAT: 300056247
layers (components): AAT: 300226788
RELATED OBJECTS
PROVENANCE
From 1959: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from the artist [1], [2], [3]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry Bywaters, Director of the Dallas Museum of Fine Arts, to Jose Antonio Fernández Muro (dated December 10, 1959, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is letter (inventory list) (n.d., copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[4] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1959.46
source file
object_notes_3_c-0309.xml.nores