1967.12.19, Bottle, glass, Syro-Roman, ca. 1st-4th centuries C.E.


GENERAL DESCRIPTION  
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases. During the middle of the first century B.C.E, a process for blowing glass into a variety of shapes was invented, probably along the Levantine coast. This process revolutionized the glass industry and created the basis for the mass production of glass vessels during the Roman era. With the blowing technique established, glass became a desirable and inexpensive commodity, available in diverse colors and decorative enhancements, with the unique quality of allowing the contents of a vessel to be seen through its walls.

Roman glass centers are known to have existed in nearly every quarter of the Mediterranean and beyond, from Syria to France and Germany, and from Egypt to Greece and Italy. A few glassworkers signed their works, and a number must have moved from one center to another, meeting the demand for fragile objects of art that did not travel well.

Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 103-104.

NOTES

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RELATED OBJECTS 

PROVENANCE 
Until 1967: Collection of Helen L. Williams, Ranchos de Taos, New Mexico [1]

From 1967: Dallas Museum of Fine Arts, gift of the above [2]

[1] See correspondence in Collection Records Object File 1967.12.1-19
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1967.12.19

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General Description
 
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases. During the middle of the first century B.C.E, a process for blowing glass into a variety of shapes was invented, probably along the Levantine coast. This process revolutionized the glass industry and created the basis for the mass production of glass vessels during the Roman era. With the blowing technique established, glass became a desirable and inexpensive commodity, available in diverse colors and decorative enhancements, with the unique quality of allowing the contents of a vessel to be seen through its walls.

Roman glass centers are known to have existed in nearly every quarter of the Mediterranean and beyond, from Syria to France and Germany, and from Egypt to Greece and Italy. A few glassworkers signed their works, and a number must have moved from one center to another, meeting the demand for fragile objects of art that did not travel well.

Adapted from
Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 103-104.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1967: Collection of Helen L. Williams, Ranchos de Taos, New Mexico [1]

From 1967: Dallas Museum of Fine Arts, gift of the above [2]

[1] See correspondence in Collection Records Object File 1967.12.1-19
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

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Objects
number
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1967.12.19
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
hollow (form attribute): AAT: 300163023
%Archived
glass (material): AAT: 300010797
storage containers: AAT: 300197582
Roman (ancient Italian style): AAT: 300020533
iridescence: AAT: 300056212
blown glass: AAT: 300010832
source file
object_notes_3_c-0265.xml.nores