GENERAL DESCRIPTION
For many years, rugs of this type were believed to be of Persian origin; however, scholars now generally agree that this example is part of a group that derived from Persian prototypes but was made in India.
During the 16th and 17th centuries, the Mughal rulers of India prized Persian rugs of similar design and imported them in large numbers for use at their courts. To secure a steady supply, they established weaving centers in the Indian cities of Lahore, Jaipur, and Agra in the 16th century. This example is believed to have come from the famous city of Agra and subsequently to have been exported to Europe. Because of their high-quality design and workmanship, Indian rugs were prized in Europe and were sold there in significant numbers. The fact that countries like Portugal traded extensively with India beginning in the 16th century facilitated this commerce in fine textiles and other Asian luxuries.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 35.
NOTES
TMS Updates
place of origin
provenance
published references
text entry
Several letters regarding this rug (dating from late 1970s through mid-1990s) addressed to Emery Reves as well as some addressed to DMA staff can be found in the object file.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
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RULES
Apply to objects where number equals 1985.R.110
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General Description
For many years, rugs of this type were believed to be of Persian origin; however, scholars now generally agree that this example is part of a group that derived from Persian prototypes but was made in India.
During the 16th and 17th centuries, the Mughal rulers of India prized Persian rugs of similar design and imported them in large numbers for use at their courts. To secure a steady supply, they established weaving centers in the Indian cities of Lahore, Jaipur, and Agra in the 16th century. This example is believed to have come from the famous city of Agra and subsequently to have been exported to Europe. Because of their high-quality design and workmanship, Indian rugs were prized in Europe and were sold there in significant numbers. The fact that countries like Portugal traded extensively with India beginning in the 16th century facilitated this commerce in fine textiles and other Asian luxuries.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 35.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
place of origin
provenance
published references
text entry
Several letters regarding this rug (dating from late 1970s through mid-1990s) addressed to Emery Reves as well as some addressed to DMA staff can be found in the object file.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.110
source file
object_notes_3_c-0264.xml.nores