1985.R.194, Footed Server, Venice, Italy, 17th century


GENERAL DESCRIPTION  
This footed salver was produced in large numbers by Venetian glasshouses, and the striped decoration on the top surface is characteristic of Venetian work. This type of ornament is known as verto a retorti or "glass with twists." Developed during the Renaissance, the style remained popular through the 18th century, It is made by applying glass canes with opaque glass twists to the clear glass. As the hot glass is worked, the round canes are flattened into the surface to form the pattern. In this example, canes of solid color were also used to achieve a pattern of alternating stripes.

While footed salvers were used to hold food of various kinds, they could also be used to elevate other vessels too. For example, they are known to have held sets of glasses. 

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 75.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
This footed salver was produced in large numbers by Venetian glasshouses, and the striped decoration on the top surface is characteristic of Venetian work. This type of ornament is known as verto a retorti or "glass with twists." Developed during the Renaissance, the style remained popular through the 18th century, It is made by applying glass canes with opaque glass twists to the clear glass. As the hot glass is worked, the round canes are flattened into the surface to form the pattern. In this example, canes of solid color were also used to achieve a pattern of alternating stripes.

While footed salvers were used to hold food of various kinds, they could also be used to elevate other vessels too. For example, they are known to have held sets of glasses. 

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 75.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry
title

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.194
tags
#draft
#completed
%copyedited_Gail
%Archived
stripes: AAT: 300010230
glassware: AAT: 300010898
glass decorating techniques: AAT: 300155502
glass (material): AAT: 300010797
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
Italy (nation): TGN: 1000080
Venice (Italy): TGN: 7018159
decorating (process): AAT: 300056257
opacity: AAT: 300056216
salvers (food server): AAT: 300043065
verto a retorti (glass with twists): DMA
cane (glass): AAT: 300211575
source file
object_notes_3_c-0236.xml.nores