1985.R.104, Rug, 1600-1699, India


GENERAL DESCRIPTION  
During the late 15th and early 16th centuries, the Portuguese acquired trading outposts around the world.  In 1482, they built a fort on the Guinea coast of Africa to protect their exportation of slaves, ivory, and gold. Vasco da Gama's renowned expedition around the Cape of Good Hope gave his nation important contacts with the Malindi in East Africa and with the cities of Calicut, Cochin, and Goa in India. This last city became the jewel of the empire.

In 1510, Goa was made the capital of the Portuguese state of India. From this Indian colony, Portugal was able to obtain luxury items unknown to the rest of Europe. It was also able to use the age-old craft traditions of India for the production of custom products in the Portuguese taste; this rug is such a piece. 

Made in India in the 17th century, this rug features brightly colored butterflies, birds, horses, cattle, and flowers in a gardenlike setting. The central motif features a heraldic double-headed eagle surmounted by a stylized plumed crown which has a single three-petal tulip finial. Although the meaning of this particular device is unknown, the double-headed eagle is traditionally associated with the Habsburg family of Austria and Spain. More in keeping with Indian taste is the border motif of carnations and pomegranates. The airy quality of this design and the light-colored ground relate to Indian inlay work in stone and ivory.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 36.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 209.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
During the late 15th and early 16th centuries, the Portuguese acquired trading outposts around the world.  In 1482, they built a fort on the Guinea coast of Africa to protect their exportation of slaves, ivory, and gold. Vasco da Gama's renowned expedition around the Cape of Good Hope gave his nation important contacts with the Malindi in East Africa and with the cities of Calicut, Cochin, and Goa in India. This last city became the jewel of the empire.

In 1510, Goa was made the capital of the Portuguese state of India. From this Indian colony, Portugal was able to obtain luxury items unknown to the rest of Europe. It was also able to use the age-old craft traditions of India for the production of custom products in the Portuguese taste; this rug is such a piece. 

Made in India in the 17th century, this rug features brightly colored butterflies, birds, horses, cattle, and flowers in a gardenlike setting. The central motif features a heraldic double-headed eagle surmounted by a stylized plumed crown which has a single three-petal tulip finial. Although the meaning of this particular device is unknown, the double-headed eagle is traditionally associated with the Habsburg family of Austria and Spain. More in keeping with Indian taste is the border motif of carnations and pomegranates. The airy quality of this design and the light-colored ground relate to Indian inlay work in stone and ivory.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 36.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 209.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS Updates
place of origin
provenance
bibliography
text entries

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Objects
number
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1985.R.104
tags
birds (animals): AAT: 300266506
#draft
#completed
%copyedited_Gail
%Archived
birds (motifs): AAT: 300375751
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
red (color): AAT: 300126225
textiles (visual works): AAT: 300014063
gardens (open spaces): AAT: 300008090
eagle: AAT: 300250049
crowns (costume components): AAT: 300213000
crowns (headdresses): AAT: 300046020
rugs (textiles): AAT: 300185749
borders (ornament areas): AAT: 300010252
India (nation): TGN: 7000198
Asia (continent): TGN: 1000004
textile art (visual works): AAT: 300386843
carpets (rugs by form): AAT: 300185756
Spain (nation): TGN: 1000095
horses (animals): AAT: 300250148
Goa (inhabited place/India): TGN: 7018161
butterflies (general): AAT: 300417320
Portuguese (culture or style): AAT: 300111207
Habsburg_House of: ULAN: 500337572
motifs: AAT: 300009700
Austria (nation): TGN: 1000062
cattle: AAT: 300250116
Portugal (nation): TGN: 1000090
source file
object_notes_3_c-0228.xml.nores