1991.75.81, Single earring with goat protome, Greece, 2nd-1st century B.C.E., gold, emerald, pearl


GENERAL DESCRIPTION  
Toward the end of the 4th century BCE, new shapes and materials were introduced to Greek jewelry. The most ingenious innovation of the Greek goldsmiths of this period is the animal-head earring: a tapering, penannular hoop made of twisted wire with one terminal and the larger end in the form of an animal's head. Earrings like this with the complete forepart of an animal are less common than animal-head earrings. In this example, the earring is composed of three different elements: a spiral-wound hoop with an inner rod; a polychrome section with an oriental pearl, two globular emerald beads, and four granulated gold circlets; and a goat protome worked in the round. The choice of the subject might be a reference to the god Pan or to the Dionysian circle. The head and forepart of the goat are hollow; the legs are made separately and attached. A small loop on the back of the goat's head holds the end of the hoop. 

It has been assumed that this design derived from Etruscan lion-head earrings, represented by several examples seen in the collection of the Dallas Museum of Art (1991.75.27.a-b, 1991.75.28.a-b). However, it is more likely that the animal-head earring type is a genuine Greek creation, inspired by a long-established type of Greek animal-head bracelets like this lion-headed bracelet (1991.75.52), also in our collection. This is a very sculptural work:  the goat springs forward with powerful energy.

Adapted from
  • Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 62-63, 134.
  • Anne R. Bromberg and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 117.

NOTES
  • entered publication as a text entry in TMS
  • updated provenance and geo x ref

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PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

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Apply to objects where number equals 1991.75.81

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General Description
 
Toward the end of the 4th century BCE, new shapes and materials were introduced to Greek jewelry. The most ingenious innovation of the Greek goldsmiths of this period is the animal-head earring: a tapering, penannular hoop made of twisted wire with one terminal and the larger end in the form of an animal's head. Earrings like this with the complete forepart of an animal are less common than animal-head earrings. In this example, the earring is composed of three different elements: a spiral-wound hoop with an inner rod; a polychrome section with an oriental pearl, two globular emerald beads, and four granulated gold circlets; and a goat protome worked in the round. The choice of the subject might be a reference to the god Pan or to the Dionysian circle. The head and forepart of the goat are hollow; the legs are made separately and attached. A small loop on the back of the goat's head holds the end of the hoop. 

It has been assumed that this design derived from Etruscan lion-head earrings, represented by several examples seen in the collection of the Dallas Museum of Art (1991.75.27.a-b, 1991.75.28.a-b). However, it is more likely that the animal-head earring type is a genuine Greek creation, inspired by a long-established type of Greek animal-head bracelets like this lion-headed bracelet (1991.75.52), also in our collection. This is a very sculptural work:  the goat springs forward with powerful energy.

Adapted from
  • Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 62-63, 134.
  • Anne R. Bromberg and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 117.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • entered publication as a text entry in TMS
  • updated provenance and geo x ref

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

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Objects
number
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1991.75.81
tags
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
*Classical Art
@Bowling
ear ornaments: AAT: 300211279
%Archived
earrings (jewelry): AAT: 300045998
metalwork: AAT: 300015336
goldwork: AAT: 300044045
sheet metal: AAT: 300223016
gold (metal): AAT: 300011021
metalworking: AAT: 300053946
pearls (animal material): AAT: 300011827
garnet (mineral): AAT: 300011097
Greece_Ancient: TGN: 7594735
Greek_Ancient (culture or style): AAT: 300020072
beads (pierced objects): AAT: 300234006
goldsmithing: AAT: 300054048
goat (animal): AAT: 300250122
Dionysos (Greek deity): DMA
granulation: AAT: 300054021
Ancient Greek (culture or style): AAT: 300020072
wirework: AAT: 300044077
emerald (mineral): AAT: 300011074
source file
object_notes_3_c-0168.xml.nores