GENERAL DESCRIPTION
This “diamond waistband” tunic fragment reflects the high standardization of Inca tapestry textiles. It bears a zigzag embroidery at the base, as well as a striped selvedge, or edge, completion. Unlike the other tapestry-woven Inca uncu, however, the “diamond waistband” tunics regularly utilize cotton warps with camelid fiber wefts. The cotton use may suggest a coastal origin, as well as potentially signify lesser prestige in Inca society. Diamond waistband tunics have been recovered from both high-altitude capacocha burials and coastal ritual centers, such as Pachacamac, confirming their status in Late Horizon (1400-1532 CE) textile production. Fragments of these tunics were preserved and reused—for example, as coca bags—suggesting that the diamond band maintained social value beyond the tunic itself.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
NOTES
- Inka (Inca), Late Horizon, 1400-1534, updated by KJones in TMS on 01/05/16 and 01/25/16.
- Updated geography in TMS to reflect Inca label -- Perú: Andean coast.
- Did not update dates since recently changed by KJones.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
- Coca in the Andes
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Peru (nation): TGN: 1000056
Inca Empire: TGN: 6002741
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
tunics (main garments): AAT: 300209869
fragments (object portions): AAT: 300117130
diamond waistband tunic (motifs / main garments): DMA
brown (color): AAT: 300127490
cream (color): AAT: 300266242
red (color): AAT: 300126225
yellow (color): AAT: 300127794
diamonds (motifs): AAT: 300009791
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
step pattern: AAT: 300010229
stepped frets (meanders (patterns)/motifs): AAT: 300010171
standardization: AAT: 300056088
capacocha (qhapac hucha / sacrificial ritual): DMA
Pachacamac: AAT: 300017302
Pachacamac (deserted settlement): AAT: 7032402
coca bags (costume accessories): DMA
coca (plants / Erythroxylum (genus) Erythroxylaceae (family)): AAT: 300411778
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 1989.W.2435
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General Description
This “diamond waistband” tunic fragment reflects the high standardization of Inca tapestry textiles. It bears a zigzag embroidery at the base, as well as a striped selvedge, or edge, completion. Unlike the other tapestry-woven Inca uncu, however, the “diamond waistband” tunics regularly utilize cotton warps with camelid fiber wefts. The cotton use may suggest a coastal origin, as well as potentially signify lesser prestige in Inca society. Diamond waistband tunics have been recovered from both high-altitude capacocha burials and coastal ritual centers, such as Pachacamac, confirming their status in Late Horizon (1400-1532 CE) textile production. Fragments of these tunics were preserved and reused—for example, as coca bags—suggesting that the diamond band maintained social value beyond the tunic itself.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Inka (Inca), Late Horizon, 1400-1534, updated by KJones in TMS on 01/05/16 and 01/25/16.
- Updated geography in TMS to reflect Inca label -- Perú: Andean coast.
- Did not update dates since recently changed by KJones.
Catalogue essays
- The Nora and John Wise Collection of Ancient South American Art
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
- Coca in the Andes
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Peru (nation): TGN: 1000056
Inca Empire: TGN: 6002741
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
tunics (main garments): AAT: 300209869
fragments (object portions): AAT: 300117130
diamond waistband tunic (motifs / main garments): DMA
brown (color): AAT: 300127490
cream (color): AAT: 300266242
red (color): AAT: 300126225
yellow (color): AAT: 300127794
diamonds (motifs): AAT: 300009791
bands (decorative): DMA
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
step pattern: AAT: 300010229
stepped frets (meanders (patterns)/motifs): AAT: 300010171
standardization: AAT: 300056088
capacocha (qhapac hucha / sacrificial ritual): DMA
Pachacamac: AAT: 300017302
Pachacamac (deserted settlement): AAT: 7032402
coca bags (costume accessories): DMA
coca (plants / Erythroxylum (genus) Erythroxylaceae (family)): AAT: 300411778
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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