GENERAL DESCRIPTION
Octavio Medellín was brought to the United States at the age of thirteen to escape the ravages of the Mexican Civil War. He attended the Art Institute of Chicago before traveling intermittently to Mexico, where he became reacquainted with the Maya-Toltec cultures, from which he would draw inspiration and garner his artistic heritage. The Hanged One was sculpted at a time when Medellín’s work was becoming nationally recognized. Inspired by memories of his youth, the work may symbolize Mexico's effort to free itself of centuries of colonial subjugation and to find its own democratic path, a struggle that Medellín witnessed firsthand.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
NOTES
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Medellin_Octavio: ULAN: 500333005
Cultures
Geography
Mexico (nation): TGN: 7005560
San Luis Potosí (inhabited place / Mexico): TGN: 1018225
United States (nation): TGN: 7012149
Dallas (Texas/United States): TGN: 7013503
Denton (Texas/United States): TGN: 2103762
San Antonio (Texas/United States): TGN: 7416035
Process/materials
black walnut (wood): AAT: 300012478
walnut (wood): AAT: 300012476
wood (plant material): AAT: 300011914
carving: AAT: 300053149
woodworking: AAT: 300054083
Historical periods
Individuals
Subject terms
sculpture: AAT: 300047090
figures (representations): AAT: 300189808
human figures: AAT: 300404114
men (male humans): AAT: 300025928
male: AAT: 300189559
violence: AAT: 300192799
wars: AAT: 300055314
battles: AAT: 300185692
civil wars: AAT: 300055315
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Toltec (Central Plateau Mesoamerican styles): AAT: 300017032
culture: AAT: 300055768
colonialism: AAT: 300400905
hangings (executions): AAT: 300386106
deaths: AAT: 300151836
dead (people): AAT: 300389809
bodies (human and animal components): AAT: 300404640
rope: AAT: 300014248
platforms (general): AAT: 300375665
trousers (pants / pantalón / pantalón rajado / main garments): AAT: 300209935
captive (prisoners of war): AAT: 300259895
allegory (artistic device): AAT: 300055866
RELATED OBJECTS
PROVENANCE
From 1943: Dallas Museum of Fine Arts, Kiest Memorial Purchase Prize, Fourteenth Annual Dallas Allied Arts Exhibition, 1943 [1], [2]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1943.9
Category
rules_operator
AND
General Description
Octavio Medellín was brought to the United States at the age of thirteen to escape the ravages of the Mexican Civil War. He attended the Art Institute of Chicago before traveling intermittently to Mexico, where he became reacquainted with the Maya-Toltec cultures, from which he would draw inspiration and garner his artistic heritage. The Hanged One was sculpted at a time when Medellín’s work was becoming nationally recognized. Inspired by memories of his youth, the work may symbolize Mexico's effort to free itself of centuries of colonial subjugation and to find its own democratic path, a struggle that Medellín witnessed firsthand.
Excerpt from
Erin Piñon, Tower Gallery: Latin American Art, Label text, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Tower Gallery: Latin American Art, 2017.
Catalogue essays
Artist/designers
Medellin_Octavio: ULAN: 500333005
Cultures
Geography
Mexico (nation): TGN: 7005560
San Luis Potosí (inhabited place / Mexico): TGN: 1018225
United States (nation): TGN: 7012149
Dallas (Texas/United States): TGN: 7013503
Denton (Texas/United States): TGN: 2103762
San Antonio (Texas/United States): TGN: 7416035
Process/materials
black walnut (wood): AAT: 300012478
walnut (wood): AAT: 300012476
wood (plant material): AAT: 300011914
carving: AAT: 300053149
woodworking: AAT: 300054083
Historical periods
Individuals
Subject terms
sculpture: AAT: 300047090
figures (representations): AAT: 300189808
human figures: AAT: 300404114
men (male humans): AAT: 300025928
male: AAT: 300189559
violence: AAT: 300192799
wars: AAT: 300055314
battles: AAT: 300185692
civil wars: AAT: 300055315
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Toltec (Central Plateau Mesoamerican styles): AAT: 300017032
culture: AAT: 300055768
colonialism: AAT: 300400905
hangings (executions): AAT: 300386106
deaths: AAT: 300151836
dead (people): AAT: 300389809
bodies (human and animal components): AAT: 300404640
rope: AAT: 300014248
platforms (general): AAT: 300375665
trousers (pants / pantalón / pantalón rajado / main garments): AAT: 300209935
captive (prisoners of war): AAT: 300259895
allegory (artistic device): AAT: 300055866
RELATED OBJECTS
PROVENANCE
From 1943: Dallas Museum of Fine Arts, Kiest Memorial Purchase Prize, Fourteenth Annual Dallas Allied Arts Exhibition, 1943 [1], [2]
[1] The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
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1943.9
source file
object_notes_3_c-0042.xml.nores