GENERAL DESCRIPTION
In the 16th century, as Christian weavers came to dominate the industry, Spanish rug design became increasingly influenced by non-Islamic design sources. The pomegranate and vine motif seen here, for example, was inspired by contemporary Italian and Spanish fabrics. Spanish silks had been well known since the 9th century. As with rugs, early examples were in the Islamic taste and only gradually succumbed to European influences.
At least forty rugs of this pattern are known. This particular example is special because it is one of the few, if not the only one, made of silk. Its survival documents that silk was an option when ordering a Spanish rug, provided the customer was willing to pay for the greater expense of the more precious raw material. The use of silk for this rug also suggests that there may have been closer ties between silk fabric weavers and rug weavers than the simple borrowing of patterns.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 31.
NOTES
TMS Updates
search dates
place of origin
provenance
published references
text entry
- There are several original letters in the object file dated during the last half of 1960 in regard to this rug. The letters contain correspondence between Emery Reves and various institutions and experts.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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WEB RESOURCES
YouTube~Learn more about the origin of Alcaraz rugs in Spain.
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TEACHING IDEAS
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Apply to objects where number equals 1985.R.87
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General Description
In the 16th century, as Christian weavers came to dominate the industry, Spanish rug design became increasingly influenced by non-Islamic design sources. The pomegranate and vine motif seen here, for example, was inspired by contemporary Italian and Spanish fabrics. Spanish silks had been well known since the 9th century. As with rugs, early examples were in the Islamic taste and only gradually succumbed to European influences.
At least forty rugs of this pattern are known. This particular example is special because it is one of the few, if not the only one, made of silk. Its survival documents that silk was an option when ordering a Spanish rug, provided the customer was willing to pay for the greater expense of the more precious raw material. The use of silk for this rug also suggests that there may have been closer ties between silk fabric weavers and rug weavers than the simple borrowing of patterns.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 31.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
published references
text entry
- There are several original letters in the object file dated during the last half of 1960 in regard to this rug. The letters contain correspondence between Emery Reves and various institutions and experts.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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VIDEO ASSETS
rules
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Objects
number
Equals
1985.R.87
source file
object_notes_3_c-0007.xml.nores