1985.R.124, Table runner, 18th century, France, Europe


GENERAL DESCRIPTION  
This beautiful panel is a continuous colorful feast of scrolling large-scale flowers and leafage interspersed with small birds and butterflies. Simplified but similar motifs are found on the drawer-fronts of the ivory plaqued cabinet on stand in the Reves Collection (1985.R.573.A-C). Such patterns were disseminated by engravings published in Germany, France, and the Low Countries. This design is similar to one by the 16th-century Nuremberg engraver and publisher Virgil Solis (1514-62), who published over 600 woodcuts and engravings for the use of stuccoists, woodcarvers, metal workers, and textile embroiderers and weavers. 

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 211.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Apply to objects where number equals 1985.R.124

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General Description
 
This beautiful panel is a continuous colorful feast of scrolling large-scale flowers and leafage interspersed with small birds and butterflies. Simplified but similar motifs are found on the drawer-fronts of the ivory plaqued cabinet on stand in the Reves Collection (1985.R.573.A-C). Such patterns were disseminated by engravings published in Germany, France, and the Low Countries. This design is similar to one by the 16th-century Nuremberg engraver and publisher Virgil Solis (1514-62), who published over 600 woodcuts and engravings for the use of stuccoists, woodcarvers, metal workers, and textile embroiderers and weavers. 

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 211.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS Updates
place of origin
provenance
published references
text entry

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.124
tags
#draft
#completed
%copyedited_Gail
%Archived
birds (motifs): AAT: 300375751
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
textiles (visual works): AAT: 300014063
flowers (plants): AAT: 300132399
France (nation): TGN: 1000070
Germany (nation): TGN: 7000084
panels (surface components): AAT: 300069079
floral patterns: AAT: 300010135
textile art (visual works): AAT: 300386843
scrolling foliage: AAT: 300165387
silk (textile): AAT: 300243428
embroidering: AAT: 300053653
motifs: AAT: 300009700
embroidery (visual works): AAT: 300264024
table coverings: AAT: 300216691
woodcuts (prints): AAT: 300041405
tablecloths: AAT: 300204969
engravings (prints): AAT: 300041340
table runner: DMA
Solis_Virgilius (the elder): ULAN: 500007753
source file
object_notes_3_b-0121.xml.nores