2012.20.3 Phase No. 10


GENERAL DESCRIPTION  
In his use of the term “phase” Nobuo Sekine was referring to topological mathematics. Topology is a field of spatial geometry in which space and materials are considered malleable and can undergo countless transformations from one “phase” (state) to another without adding or subtracting from the original form/materials. The works belonging to Sekine’s original Phase series are characterized by three-dimensional cylinders built out of lacquer and wood, or steel, which seem to roll or flow into and out of flat, planar fields. The forms, painted a dark shade of grey, are detailed in various shades of fluorescent paint, furthering the optical vibration their three-dimensional nature seems intended to suggest. Phase No. 10 assumes the shape of a horizontal rectangle, in which the left and right sides lay flat against the wall and a cylindrical-form protrudes from the sculpture’s center.

Adapted from
  • Jeffrey Grove, DMA unpublished material, 2012.
  • Gabriel Ritter, "Focus on: Nobuo Sekine," DMA Uncrated, 2012.

NOTES
Focus On: Nobuo Sekine exhibition
DMA unpublished material = 
  • Jeffrey Grove, The Hoffman Family Senior Curator of Contemporary Art, Acquisition Justification Nobuo Sekine, 2012. File on TAZ.
  • Gabriel Ritter, The Nancy and Tim Hanley Assistant Curator of Contemporary Art, "Focus on: Nobuo Sekine," DMA Uncrated 

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Apply to objects where number equals 2012.20.3

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General Description
 
In his use of the term “phase” Nobuo Sekine was referring to topological mathematics. Topology is a field of spatial geometry in which space and materials are considered malleable and can undergo countless transformations from one “phase” (state) to another without adding or subtracting from the original form/materials. The works belonging to Sekine’s original Phase series are characterized by three-dimensional cylinders built out of lacquer and wood, or steel, which seem to roll or flow into and out of flat, planar fields. The forms, painted a dark shade of grey, are detailed in various shades of fluorescent paint, furthering the optical vibration their three-dimensional nature seems intended to suggest. Phase No. 10 assumes the shape of a horizontal rectangle, in which the left and right sides lay flat against the wall and a cylindrical-form protrudes from the sculpture’s center.

Adapted from
  • Jeffrey Grove, DMA unpublished material, 2012.
  • Gabriel Ritter, "Focus on: Nobuo Sekine," DMA Uncrated, 2012.

Fun Facts

Archival Resources

Web Resources
 

Notes
Focus On: Nobuo Sekine exhibition
DMA unpublished material = 
  • Jeffrey Grove, The Hoffman Family Senior Curator of Contemporary Art, Acquisition Justification Nobuo Sekine, 2012. File on TAZ.
  • Gabriel Ritter, The Nancy and Tim Hanley Assistant Curator of Contemporary Art, "Focus on: Nobuo Sekine," DMA Uncrated 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2012.20.3
tags
#draft
#completed
%copyedited_Gail
%Archived
@Bilal-Gore
*Contemporary Art
geometry: AAT: 300054529
Japan (nation): TGN: 1000120
Mono-ha: DMA
gray (color): AAT: 300130811
planes (mathematics): AAT: 300055640
Sekine_Nobuo: ULAN: 500089373
mathematics: AAT: 300054522
%exhibitions pending
cylindrical (geometric shape): AAT: 300378890
fluorescent: AAT: 300056211
source file
object_notes_3_b-0118.xml.nores