GENERAL DESCRIPTION
A dalmatic is a wide-sleeved robe worn over the alb and cassock by a deacon at High Mass. This one is of red silk damask onto which are sewn cuffs and clavi descending to an apron of appliqué work composed of light colored silk strapwork, flowers, and leafy scrolls stitched with gold-wrapped threads over a red velvet ground. The bird with open wings represents the Holy Spirit.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 212.
NOTES
TMS Updates
place of origin
provenance
published references
text entry
Added Costume as a Classification
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
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RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
YouTube~Watch a video to learn more about the history and symbolism of the dalmatic, the prime liturgical vestment of a deacon.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1985.R.112
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General Description
A dalmatic is a wide-sleeved robe worn over the alb and cassock by a deacon at High Mass. This one is of red silk damask onto which are sewn cuffs and clavi descending to an apron of appliqué work composed of light colored silk strapwork, flowers, and leafy scrolls stitched with gold-wrapped threads over a red velvet ground. The bird with open wings represents the Holy Spirit.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 212.
Fun Facts
Archival Resources
Web Resources
YouTube~Watch a video to learn more about the history and symbolism of the dalmatic, the prime liturgical vestment of a deacon.
Notes
TMS Updates
place of origin
provenance
published references
text entry
Added Costume as a Classification
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.112
source file
object_notes_3_b-0101.xml.nores