1976.W.57 Stirrup-spout vessel (Peru, Chongoyape)


GENERAL DESCRIPTION  
The ceramics most closely associated with the Chavín style are monochromatic vessels with textured surfaces. Vessels of similar style have been found in the Chongoyape vicinity of the Lambayeque Valley as well as in the Jequetepeque and Zano valleys. Ceramics with various Chavín-related features were apparently widely traded, making attribution on the basis of style difficult. As seen in this example, punctuation, rough surface texture, and a thick spout are traits of the Chongoyape style. Contrasting surface textures are also quintessentially Chavín. On this vessel, four small, circular bosses project from the surface, and both the spout and bosses are highly burnished.

Adapted from
  • Label text [1976.W.56], A. H. Meadows Galleries.
  • DMA unpublished material.

NOTES
  • Chongoyape, Early Horizon, 900–200 B.C.E. (noted on TMS), updated by KJones on 10/15/13, 11/29/13, and 01/10/17.
  • Fun Facts Source: Junius B. Bird Report, 1/26/1976, p. 38, TMS, Notes / Text Entries, Attribution.
  • General Description drawn from: DMA Label Copy (1976.W.56), n.d.; DMA unpublished material [Worksheet, 1970.3, n.d., copy in Dallas Museum of Art Collections Records Object File].

Cultures
Chavín horizon: AAT: 300017269  
Cupisnique (Coast Chavin): AAT: 30017270  
Chongoyape (style): DMA

Geography 
Chavín (ancient site): TGN: 6001308
Peru (nation): TGN: 1000056
Río Lambayeque: TGN: 1125946
Lambayeque (region): TGN: 1000665   
Lambayeque (inhabited place): TGN: 1024582
Chongoyape (inhabited place): TGN: 1024459

Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
burnishing (polishing): AAT: 30053869
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
kilns (ovens / heating equipment): AAT: 300022798
relief: AAT: 300053622
bas-relief (sculpture technique): AAT: 300053623
bosses (components): AAT: 300047259

Historical periods
Early Horizon: AAT: 300017267  

Individuals

Subject terms
vessels (containers): AAT: 300193015
bridge spouts: AAT: 300203289
stirrup-spout vessel (containers): DMA
texture: AAT: 300056362

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]

[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File (1976.W.56), Confidential). Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • In his 1976 report, Junius B. Bird, curator emeritus of South American archaeology at the American Museum of Natural History, notes: "***M120. Spherical body with 4 knobs on stippled surface. Chongayape style spout."

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General Description
 
The ceramics most closely associated with the Chavín style are monochromatic vessels with textured surfaces. Vessels of similar style have been found in the Chongoyape vicinity of the Lambayeque Valley as well as in the Jequetepeque and Zano valleys. Ceramics with various Chavín-related features were apparently widely traded, making attribution on the basis of style difficult. As seen in this example, punctuation, rough surface texture, and a thick spout are traits of the Chongoyape style. Contrasting surface textures are also quintessentially Chavín. On this vessel, four small, circular bosses project from the surface, and both the spout and bosses are highly burnished.

Adapted from
  • Label text [1976.W.56], A. H. Meadows Galleries.
  • DMA unpublished material.

Fun Facts
  • In his 1976 report, Junius B. Bird, curator emeritus of South American archaeology at the American Museum of Natural History, notes: "***M120. Spherical body with 4 knobs on stippled surface. Chongayape style spout."

Archival Resources

Web Resources
 

Notes
  • Chongoyape, Early Horizon, 900–200 B.C.E. (noted on TMS), updated by KJones on 10/15/13, 11/29/13, and 01/10/17.
  • Fun Facts Source: Junius B. Bird Report, 1/26/1976, p. 38, TMS, Notes / Text Entries, Attribution.
  • General Description drawn from: DMA Label Copy (1976.W.56), n.d.; DMA unpublished material [Worksheet, 1970.3, n.d., copy in Dallas Museum of Art Collections Records Object File].

Cultures
Chavín horizon: AAT: 300017269  
Cupisnique (Coast Chavin): AAT: 30017270  
Chongoyape (style): DMA

Geography 
Chavín (ancient site): TGN: 6001308
Peru (nation): TGN: 1000056
Río Lambayeque: TGN: 1125946
Lambayeque (region): TGN: 1000665   
Lambayeque (inhabited place): TGN: 1024582
Chongoyape (inhabited place): TGN: 1024459

Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
burnishing (polishing): AAT: 30053869
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
kilns (ovens / heating equipment): AAT: 300022798
relief: AAT: 300053622
bas-relief (sculpture technique): AAT: 300053623
bosses (components): AAT: 300047259

Historical periods
Early Horizon: AAT: 300017267  

Individuals

Subject terms
vessels (containers): AAT: 300193015
bridge spouts: AAT: 300203289
stirrup-spout vessel (containers): DMA
texture: AAT: 300056362

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]

[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File (1976.W.56), Confidential). Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Objects
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1976.W.57
tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
ceramic (material): AAT: 300235507
clay: AAT: 300010439
modeling (forming): AAT: 300053130
incising: AAT: 300053847
paint (coating): AAT: 300015029
coiling (pottery technique): AAT: 300053903
burnishing (polishing): AAT: 300053869
%Archived
vessels (containers): AAT: 300193015
texture (physical attribute): AAT: 300056362
circles (plane figures): AAT: 300055627
dots (geometric motif): AAT: 300010145
relief (sculpture techniques): AAT: 300053622
bosses (components): AAT: 300047259
Peru (nation): TGN: 1000056
Early Horizon: AAT: 300017267
firing (technique): AAT: 300053887
Chavín horizon: AAT: 300017269
Chavín (ancient site): TGN: 6001308
repetition (artistic concept): AAT: 300400861
bridge spouts: AAT: 300203289
Río Lambayeque (river/Peru): TGN: 1125946
Lambayeque (region/Peru): TGN: 1000665
Lambayeque (Peru): TGN: 1024582
stirrup-spout vessel (containers): AAT: 300417500
black (color): AAT: 300130920
kilns (ovens / heating equipment): AAT: 300022798
bas-relief (sculpture technique): AAT: 300053623
Cupisnique (Coast Chavin): AAT:300017270
Chongoyape (Peru): TGN: 1024459
Chongoyape (culture and style): DMA
source file
object_notes_3_b-0003.xml.nores