GENERAL DESCRIPTION
Hachas protruded from a padded waist belt and were part of the ballgame gear for deflecting the heavy rubber ball. This stone hacha was probably a ceremonial replica of a wooden original. It was made in south-central Veracruz but was reportedly found in the vicinity of Toniná, a Maya royal capital in the mountains of Chiapas in southern Mexico. From the Early Classic period (200–600 CE) onward, the lowland Maya borrowed regalia and conventions of ball playing from the Gulf Coast peoples. The Classic period kings of Toniná created their replica of Creation Mountain. They put their ball court at the base of the mountain, as the clefted abyss was at the base of the first true Creation Mountain. There, these kings played ritual ballgames with their sacrificial victims, often highborn lords taken in battle.
Excerpt from
Carol Robbins, Label text, A. H. Meadows Galleries, 2010.
NOTES
- Maya, Late Classic period, 550–750 C.E., updated by KJones in TMS on 02/26/16 and 03/14/16.
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note / Collection History: Dr. and Sra. Josue Saenz, Mexico, D.F. This data previously existed in the Provenance data field in TMS (updated 07-06-2016).
- Note: possible typo in original label copy, changed "lica" to replica.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Highland Maya: AAT: 300017120
Gulf Coast Mesoamerican styles: AAT: 300108063
Classic Veracruz styles: AAT: 300017056
Late Classic Veracruz: AAT: 300266231
Geography
Mexico (nation): TGN: 7005560
Chiapas (state): TGN: 7005580
Veracruz (state): TGN: 7005599
Toniná (deserted settlement): TGN: 7032727
Process/materials
greenstone (rock): AAT: 300386691
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
relief (sculpture techniques): AAT: 300053622
Historical periods
Classic (mesoamerican period): AAT: 300016983
Late Classic Period: AAT: 300016986
Individuals
Subject terms
sculpture: AAT: 300047090
effigies (funerary sculpture): AAT: 300047108
ceremonial objects: AAT: 300234117
protective wear (costume): AAT: 300209266
worn costume accessories: AAT: 300209274
hachas (visual work): AAT: 300264867
belts (bandas / cinturones / costume accessories): AAT: 300210002
rubber (material): AAT: 300012941
ball game equipment: AAT: 300211062
ball games (games / activities): AAT: 300239662
ball courts (Mesoamerican): AAT: 300007324
replicas (reproduction): AAT: 300015642
creation (doctrinal concept): AAT: 300069002
mountains: AAT: 300008795
Creation Mountain (Mesoamerican doctrinal / religious concept): DMA
myth: AAT: 300201023
rituals (events): AAT: 300065284
king: AAT: 300025481
rulers (people): AAT: 300025475
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
captive (prisoners of war): AAT: 300259895
nobility (nobles / aristocracy): AAT: 300025942
battles: AAT: 300185692
wars: AAT: 300055314
green (color): AAT: 300128438
figures: AAT: 300189808
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
profiles (figures): AAT: 300123319
male: AAT: 300189559
beautification: AAT: 300111985
body modification: AAT: 300262468
deformation: AAT: 300072976
scarifications (visual works): AAT: 300262452
tattoos: AAT: 300015614
geometric motifs: AAT: 300009764
knots (motifs): AAT: 300009724
scrolls (spirals/motifs): AAT: 300010094
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
Khan Academy~Watch a video about the Mesoamerican Ballgame and a Classic Veracruz yoke, with Dr. Rex Koontz and Dr. Steven Zucker.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.35
Category
rules_operator
AND
General Description
Hachas protruded from a padded waist belt and were part of the ballgame gear for deflecting the heavy rubber ball. This stone hacha was probably a ceremonial replica of a wooden original. It was made in south-central Veracruz but was reportedly found in the vicinity of Toniná, a Maya royal capital in the mountains of Chiapas in southern Mexico. From the Early Classic period (200–600 CE) onward, the lowland Maya borrowed regalia and conventions of ball playing from the Gulf Coast peoples. The Classic period kings of Toniná created their replica of Creation Mountain. They put their ball court at the base of the mountain, as the clefted abyss was at the base of the first true Creation Mountain. There, these kings played ritual ballgames with their sacrificial victims, often highborn lords taken in battle.
Excerpt from
Carol Robbins, Label text, A. H. Meadows Galleries, 2010.
Fun Facts
Archival Resources
Web Resources
Khan Academy~Watch a video about the Mesoamerican Ballgame and a Classic Veracruz yoke, with Dr. Rex Koontz and Dr. Steven Zucker.
Notes
- Maya, Late Classic period, 550–750 C.E., updated by KJones in TMS on 02/26/16 and 03/14/16.
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note / Collection History: Dr. and Sra. Josue Saenz, Mexico, D.F. This data previously existed in the Provenance data field in TMS (updated 07-06-2016).
- Note: possible typo in original label copy, changed "lica" to replica.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Highland Maya: AAT: 300017120
Gulf Coast Mesoamerican styles: AAT: 300108063
Classic Veracruz styles: AAT: 300017056
Late Classic Veracruz: AAT: 300266231
Geography
Mexico (nation): TGN: 7005560
Chiapas (state): TGN: 7005580
Veracruz (state): TGN: 7005599
Toniná (deserted settlement): TGN: 7032727
Process/materials
greenstone (rock): AAT: 300386691
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
relief (sculpture techniques): AAT: 300053622
Historical periods
Classic (mesoamerican period): AAT: 300016983
Late Classic Period: AAT: 300016986
Individuals
Subject terms
sculpture: AAT: 300047090
effigies (funerary sculpture): AAT: 300047108
ceremonial objects: AAT: 300234117
protective wear (costume): AAT: 300209266
worn costume accessories: AAT: 300209274
hachas (visual work): AAT: 300264867
belts (bandas / cinturones / costume accessories): AAT: 300210002
rubber (material): AAT: 300012941
ball game equipment: AAT: 300211062
ball games (games / activities): AAT: 300239662
ball courts (Mesoamerican): AAT: 300007324
replicas (reproduction): AAT: 300015642
creation (doctrinal concept): AAT: 300069002
mountains: AAT: 300008795
Creation Mountain (Mesoamerican doctrinal / religious concept): DMA
myth: AAT: 300201023
rituals (events): AAT: 300065284
king: AAT: 300025481
rulers (people): AAT: 300025475
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
captive (prisoners of war): AAT: 300259895
nobility (nobles / aristocracy): AAT: 300025942
battles: AAT: 300185692
wars: AAT: 300055314
green (color): AAT: 300128438
figures: AAT: 300189808
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
profiles (figures): AAT: 300123319
male: AAT: 300189559
beautification: AAT: 300111985
body modification: AAT: 300262468
deformation: AAT: 300072976
scarifications (visual works): AAT: 300262452
tattoos: AAT: 300015614
geometric motifs: AAT: 300009764
knots (motifs): AAT: 300009724
scrolls (spirals/motifs): AAT: 300010094
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1973.35
source file
object_notes_3_a-0808.xml.nores