GENERAL DESCRIPTION
The Hohokam people, who lived in present-day south central Arizona, had developed a significant pottery tradition by about 500 CE. Hohokam ceramics are easily recognized by their buff‑colored clay and dark red painting. Fluid brushwork, spontaneous in effect yet precisely controlled, depicts both highly stylized life forms and a variety of geometric motifs. Designs are usually organized in concentric circular bands or repeated to create an allover pattern.
Excerpt from
Bonnie Pitman, ed., "Jar with zigzag pattern (1988.105.FA)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 54.
NOTES
- Hohokam culture, c. A.D. 850-950 (noted on TMS).
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note: Elizabeth M. and Duncan E. Boeckman are the anonymous donors, part of gift of 30 Pueblo vessels. The main source for this provenance is letter from Linda Ledford to Anna McFarland and Suzanne Weaver (dated December 22, 1988, copy in Dallas Museum of Art Collections Records Object File, Confidential).
Catalogue essays
Artist/designers
Cultures
Hohokam: AAT: 300016928
Southwestern North American styles (Pre-Columbian): AAT: 300016920
Geography
Arizona (state): TGN: 7006451
Hohokam Village (inhabited place): TGN: 2394694
Southwest (general region): TGN: 4010660
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
paint (coating): AAT: 300015029
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
glazing (coating): AAT: 300053914
incising: AAT: 300053847
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
Santa Cruz Red-on buff (Hohokam pottery styles/Hohokam buff ware): DMA
Historical periods
Individuals
Subject terms
vessels (containers): AAT: 300193015
jars (vessels): AAT: 300195347
buff (color): AAT: 300263546
red (color): AAAT: 300126225
geometric motifs: AAT: 300009764
zigzags (geometric patterns): AAT: 300165028
RELATED OBJECTS
PROVENANCE
Until 1988: Private collection [1]
From 1988: Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift [1], [2], [3]
[1] The main source for this provenance is Acquisition Record (dated November 08 1988) and letter from Linda Ledford to Anna McFarland and Suzanne Weaver (dated December 22, 1988), (copies in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
[3] See Collections Records Digital Object File.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1988.105.FA
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General Description
The Hohokam people, who lived in present-day south central Arizona, had developed a significant pottery tradition by about 500 CE. Hohokam ceramics are easily recognized by their buff‑colored clay and dark red painting. Fluid brushwork, spontaneous in effect yet precisely controlled, depicts both highly stylized life forms and a variety of geometric motifs. Designs are usually organized in concentric circular bands or repeated to create an allover pattern.
Excerpt from
Bonnie Pitman, ed., "Jar with zigzag pattern (1988.105.FA)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 54.
Fun Facts
Archival Resources
Web Resources
Notes
- Hohokam culture, c. A.D. 850-950 (noted on TMS).
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note: Elizabeth M. and Duncan E. Boeckman are the anonymous donors, part of gift of 30 Pueblo vessels. The main source for this provenance is letter from Linda Ledford to Anna McFarland and Suzanne Weaver (dated December 22, 1988, copy in Dallas Museum of Art Collections Records Object File, Confidential).
Catalogue essays
Artist/designers
Cultures
Hohokam: AAT: 300016928
Southwestern North American styles (Pre-Columbian): AAT: 300016920
Geography
Arizona (state): TGN: 7006451
Hohokam Village (inhabited place): TGN: 2394694
Southwest (general region): TGN: 4010660
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
paint (coating): AAT: 300015029
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
glazing (coating): AAT: 300053914
incising: AAT: 300053847
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
Santa Cruz Red-on buff (Hohokam pottery styles/Hohokam buff ware): DMA
Historical periods
Individuals
Subject terms
vessels (containers): AAT: 300193015
jars (vessels): AAT: 300195347
buff (color): AAT: 300263546
red (color): AAAT: 300126225
geometric motifs: AAT: 300009764
zigzags (geometric patterns): AAT: 300165028
RELATED OBJECTS
PROVENANCE
Until 1988: Private collection [1]
From 1988: Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift [1], [2], [3]
[1] The main source for this provenance is Acquisition Record (dated November 08 1988) and letter from Linda Ledford to Anna McFarland and Suzanne Weaver (dated December 22, 1988), (copies in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
[3] See Collections Records Digital Object File.
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object_notes_3_a-0763.xml.nores