GENERAL DESCRIPTION
The carved stone images Olmec kings wore on their foreheads and chests projected supernatural power. This pendant carved in the shape of a hummingbird would have originally been suspended from a necklace by the two smaller drilled holes at the neck of the figure. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2015.
Adapted from
Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
NOTES
- Olmec, Formative period, 800–400 B.C.E., updated by KJones in TMS on 10/16/13, 01/14/16, 03/14/16, and 03/21/16.
- General Description drawn from: Carol Robbins, DMA Label Copy (1968.20), 2010.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Guerrero (state): TGN: 7005585
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
animals: DMA
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
humingbird (Trochilidae family): AAT: 300256337
green (color): AAT: 300128438
shiny: AAT: 300065244
RELATED OBJECTS
PROVENANCE
From 1968: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of the Wendover Foundation, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2], [3]
[1] The main source for this provenance is invoice from Teochita, Inc., New York (dated December 1, 1967, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
[3] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1968.16.FA
Category
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General Description
The carved stone images Olmec kings wore on their foreheads and chests projected supernatural power. This pendant carved in the shape of a hummingbird would have originally been suspended from a necklace by the two smaller drilled holes at the neck of the figure. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2015.
Adapted from
Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
Fun Facts
Archival Resources
Web Resources
Notes
- Olmec, Formative period, 800–400 B.C.E., updated by KJones in TMS on 10/16/13, 01/14/16, 03/14/16, and 03/21/16.
- General Description drawn from: Carol Robbins, DMA Label Copy (1968.20), 2010.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Guerrero (state): TGN: 7005585
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
animals: DMA
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
humingbird (Trochilidae family): AAT: 300256337
green (color): AAT: 300128438
shiny: AAT: 300065244
RELATED OBJECTS
PROVENANCE
From 1968: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of the Wendover Foundation, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2], [3]
[1] The main source for this provenance is invoice from Teochita, Inc., New York (dated December 1, 1967, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
[3] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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1968.16.FA
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object_notes_3_a-0757.xml.nores