GENERAL DESCRIPTION
The carved stone images Olmec kings wore on their foreheads and chests projected supernatural power. This small, carved jadeite pendant depicts a bearded man and would have originally been suspended from a necklace or brooch by the smaller drilled holes at the earlobes and cheeks of the figure. The almond-shaped eyes, flared nostrils, flattened nose, large lips, and down-turned mouth are common facial features among Olmec figurines. What is unusual, however, is the slight indication of a beard or goatee, which is relatively rare in Olmec sculpture. As these features are more human-like than supernatural, this image may represent an ancestor or the king himself. Finely incised lines indicate the figure is wearing a tall headdress. The elongated forehead may be a sign of cranial deformation, in which head flattening or binding intentionally alters the shape of the skull, a form of ritual beautification common among the Olmec and other Mesoamerican peoples. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2015.
Drawn from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Getty Vocabulary, AAT (pendants (jewelry): AAT: 300046002).
NOTES
Olmec, Formative period, 1200–400 B.C.E., updated by KJones in TMS on 04/01/14, 03/14/16, and 03/21/16.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Tabasco (state): TGN: 7005596
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Late Preclassic Period (Formative): AAT: 300016976
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
beards: AAT: 300379263
head: AAT: 300262520
headdress: AAT: 300046023
ancestors: AAT: 300255718
supernatural (concepts): AAT: 300055947
deities: AAT: 300343850
king: AAT: 300025481
rulers (people): AAT: 300025475
portrait: AAT: 300015637
beautification: AAT: 300111985
deformation: AAT: 300072976
body modification: AAT: 300262468
RELATED OBJECTS
PROVENANCE
From 1969: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2]
[1] The main source for this provenance is Acquisition Record (dated March 4, 1969, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1969.5
Category
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General Description
The carved stone images Olmec kings wore on their foreheads and chests projected supernatural power. This small, carved jadeite pendant depicts a bearded man and would have originally been suspended from a necklace or brooch by the smaller drilled holes at the earlobes and cheeks of the figure. The almond-shaped eyes, flared nostrils, flattened nose, large lips, and down-turned mouth are common facial features among Olmec figurines. What is unusual, however, is the slight indication of a beard or goatee, which is relatively rare in Olmec sculpture. As these features are more human-like than supernatural, this image may represent an ancestor or the king himself. Finely incised lines indicate the figure is wearing a tall headdress. The elongated forehead may be a sign of cranial deformation, in which head flattening or binding intentionally alters the shape of the skull, a form of ritual beautification common among the Olmec and other Mesoamerican peoples. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2015.
Drawn from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Getty Vocabulary, AAT (pendants (jewelry): AAT: 300046002).
Fun Facts
Archival Resources
Web Resources
Notes
Olmec, Formative period, 1200–400 B.C.E., updated by KJones in TMS on 04/01/14, 03/14/16, and 03/21/16.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Tabasco (state): TGN: 7005596
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Late Preclassic Period (Formative): AAT: 300016976
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
beards: AAT: 300379263
head: AAT: 300262520
headdress: AAT: 300046023
ancestors: AAT: 300255718
supernatural (concepts): AAT: 300055947
deities: AAT: 300343850
king: AAT: 300025481
rulers (people): AAT: 300025475
portrait: AAT: 300015637
beautification: AAT: 300111985
deformation: AAT: 300072976
body modification: AAT: 300262468
RELATED OBJECTS
PROVENANCE
From 1969: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2]
[1] The main source for this provenance is Acquisition Record (dated March 4, 1969, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
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