GENERAL DESCRIPTION
Objects that are Olmec in style have been found in such distant areas of Mesoamerica as Tlapacoya and Tlatilco in the Valley of Mexico, Chalcatzingo in Morelos, and Teopantecuanitlan in Guerrero. The relationship between the regional cultures that made or used these items and the Olmec archaeological culture of the Gulf Coast, which is often described as the Olmec heartland, is more debated than understood. The site of Las Bocas, near the modern town of Izúcar de Matamoros in western Puebla, is also a source of ceramics in the Olmec style: blackware bottles and bowls deeply incised with Olmec symbols, animal effigy vessels, hollow babylike figures, and small solid figures with polished white slip.
These deftly modeled miniatures epitomize the refined naturalism of the Las Bocas style (1993.80; 1993.81). Physical deformity is a recurring theme in Mesoamerican art, and a number of Olmec-style objects depict hunchbacks and dwarves, whom the Olmec accorded special status and associated with the supernatural world. Each figure holds an object for which Olmec scholar F. Kent Reilly III has provided a tentative identification. The seated hunchback (1993.81) holds what is probably a mirror. Actual Olmec mirrors are made of iron ore (magnetite, ilmenite, or hematite), with a highly polished concave surface that both reflects and inverts an image. It is possible that the Olmec, like later Mesoamerican cultures, used mirrors as tools for shamanic divination and considered them portals to the supernatural world. The reclining hunchback holds a rectangular object that may be a container for pigments used for body painting (1993.80). It might also be a ritual implement, possibly a celt, or stone ax head. Associated with agriculture and maize, celts figured prominently in Olmec ritual and were often deposited in caches.
Adapted from
- Carol Robbins, Label text [1993.80 and 1993.81], A. H. Meadows Galleries, 2010.
- Bonnie Pitman, ed., "Seated hunchback holding mirror (1993.81) and Seated hunchback holding rectangular object (1993.80)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 38.
- Carol Robbins, "Seated hunchback holding mirror (1993.81) and Seated hunchback holding rectangular object (1993.80)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 184.
NOTES
- Olmec, Middle Formative period, 1000–500 B.C.E. (noted on TMS), updated by KJones on 10/12/15, 03/14/16, and 03/21/16.
- Featured in publication, NOT noted in TMS - have added to Documentation / Bibliography section for 1993.80 and 1993.81: Feuchtwanger, Franz. Cerámica Olmeca. México, D.F.: Operadora De Bolsa, 1989. 132.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Puebla (state): TGN: 7005592
Izúcar de Matamoros (inhabited place): TGN: 1017611
Las Bocas (deserted settlement / Puebla): DMA
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
resin (organic material): AAT: 300012882
paint (coating): AAT: 300015029
glazing (coating): AAT: 300053914
incising: AAT: 300053847
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
funerary objects: AAT: 300234126
effigies (funerary sculpture): AAT: 300047108
celts (cutting tools): AAT: 300251881
mirrors: AAT: 300037682
dwarfs (dwarfism / people / condition): AAT: 300236748
hunchbacks (kyphosis / people / condition): DMA
physical deformity (condition): DMA
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
Until 1993: Carolyn C. (d. 2010) and Dan C. Williams, Dallas [1]
1985-1993: Dallas Museum of Art, on long-term loan from the above, received from Ancient Art of the New World, Inc. (John Menser, dealer), New York, on September 09, 1985 [1]
From 1993: Dallas Museum of Art, gift of Carolyn C. and Dan C. Williams, December 22, 1993 [1], [2]
[1] The main source for this provenance are Incoming Loan Agreements (dated April 3, 1992, September 11, 1989, and October 26, 1985, copies in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Deed of Gift from Carolyn C. and Dan C. Williams (dated December 22, 1993, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The Metropolitan Museum of Art~Read more about Olmec hunchback figurines.
- Maya Vase Database (FAMSI)~See a Maya vase with dwarfs and hunchback.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
SET OPERATOR AS OR
Apply to objects where number equals 1993.80
apply to OBJECTS where id equals 5337566
Category
rules_operator
OR
General Description
Objects that are Olmec in style have been found in such distant areas of Mesoamerica as Tlapacoya and Tlatilco in the Valley of Mexico, Chalcatzingo in Morelos, and Teopantecuanitlan in Guerrero. The relationship between the regional cultures that made or used these items and the Olmec archaeological culture of the Gulf Coast, which is often described as the Olmec heartland, is more debated than understood. The site of Las Bocas, near the modern town of Izúcar de Matamoros in western Puebla, is also a source of ceramics in the Olmec style: blackware bottles and bowls deeply incised with Olmec symbols, animal effigy vessels, hollow babylike figures, and small solid figures with polished white slip.
These deftly modeled miniatures epitomize the refined naturalism of the Las Bocas style (1993.80; 1993.81). Physical deformity is a recurring theme in Mesoamerican art, and a number of Olmec-style objects depict hunchbacks and dwarves, whom the Olmec accorded special status and associated with the supernatural world. Each figure holds an object for which Olmec scholar F. Kent Reilly III has provided a tentative identification. The seated hunchback (1993.81) holds what is probably a mirror. Actual Olmec mirrors are made of iron ore (magnetite, ilmenite, or hematite), with a highly polished concave surface that both reflects and inverts an image. It is possible that the Olmec, like later Mesoamerican cultures, used mirrors as tools for shamanic divination and considered them portals to the supernatural world. The reclining hunchback holds a rectangular object that may be a container for pigments used for body painting (1993.80). It might also be a ritual implement, possibly a celt, or stone ax head. Associated with agriculture and maize, celts figured prominently in Olmec ritual and were often deposited in caches.
Adapted from
- Carol Robbins, Label text [1993.80 and 1993.81], A. H. Meadows Galleries, 2010.
- Bonnie Pitman, ed., "Seated hunchback holding mirror (1993.81) and Seated hunchback holding rectangular object (1993.80)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 38.
- Carol Robbins, "Seated hunchback holding mirror (1993.81) and Seated hunchback holding rectangular object (1993.80)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 184.
Fun Facts
Archival Resources
Web Resources
- The Metropolitan Museum of Art~Read more about Olmec hunchback figurines.
- Maya Vase Database (FAMSI)~See a Maya vase with dwarfs and hunchback.
Notes
- Olmec, Middle Formative period, 1000–500 B.C.E. (noted on TMS), updated by KJones on 10/12/15, 03/14/16, and 03/21/16.
- Featured in publication, NOT noted in TMS - have added to Documentation / Bibliography section for 1993.80 and 1993.81: Feuchtwanger, Franz. Cerámica Olmeca. México, D.F.: Operadora De Bolsa, 1989. 132.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Puebla (state): TGN: 7005592
Izúcar de Matamoros (inhabited place): TGN: 1017611
Las Bocas (deserted settlement / Puebla): DMA
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
resin (organic material): AAT: 300012882
paint (coating): AAT: 300015029
glazing (coating): AAT: 300053914
incising: AAT: 300053847
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
funerary objects: AAT: 300234126
effigies (funerary sculpture): AAT: 300047108
celts (cutting tools): AAT: 300251881
mirrors: AAT: 300037682
dwarfs (dwarfism / people / condition): AAT: 300236748
hunchbacks (kyphosis / people / condition): DMA
physical deformity (condition): DMA
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
Until 1993: Carolyn C. (d. 2010) and Dan C. Williams, Dallas [1]
1985-1993: Dallas Museum of Art, on long-term loan from the above, received from Ancient Art of the New World, Inc. (John Menser, dealer), New York, on September 09, 1985 [1]
From 1993: Dallas Museum of Art, gift of Carolyn C. and Dan C. Williams, December 22, 1993 [1], [2]
[1] The main source for this provenance are Incoming Loan Agreements (dated April 3, 1992, September 11, 1989, and October 26, 1985, copies in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Deed of Gift from Carolyn C. and Dan C. Williams (dated December 22, 1993, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1993.80
source file
object_notes_3_a-0731.xml.nores