GENERAL DESCRIPTION
The human face was a popular sculptural theme at Teotihuacan (Teotihuacán), where it was carved in a range of sizes and in a variety of stones. The face is generally triangular in shape and has a wide, low forehead. The eyes are not pierced, but their deep cavities were originally inlaid with a contrasting, less permanent material. The everted lips may once have framed inlaid teeth. It is often thought that the masks were funerary and would have been attached to funerary bundles. The mass and weight of this example suggest another function. Drilled holes would have allowed attachment, perhaps to an image of the human figure made from perishable material. Impersonal yet imposing, the masks convey an emblematic sense of authority.
Adapted from
Carol Robbins, Label text, A. H. Meadows Galleries, 2010.
NOTES
Teotihuacan, Classic period, 450–750 C.E., updated by KJones in TMS on 06/18/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
stone: AAT: 300011176
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
face masks: AAT: 300262834
faces (animal or human components): AAT: 300251798
face: DMA
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
sculpture: AAT: 300047090
human figures: AAT: 300404114
triangular (polygonal): AAT: 300263833
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
authority (concepts): DMA
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.49
Category
rules_operator
AND
General Description
The human face was a popular sculptural theme at Teotihuacan (Teotihuacán), where it was carved in a range of sizes and in a variety of stones. The face is generally triangular in shape and has a wide, low forehead. The eyes are not pierced, but their deep cavities were originally inlaid with a contrasting, less permanent material. The everted lips may once have framed inlaid teeth. It is often thought that the masks were funerary and would have been attached to funerary bundles. The mass and weight of this example suggest another function. Drilled holes would have allowed attachment, perhaps to an image of the human figure made from perishable material. Impersonal yet imposing, the masks convey an emblematic sense of authority.
Adapted from
Carol Robbins, Label text, A. H. Meadows Galleries, 2010.
Fun Facts
Archival Resources
Web Resources
Notes
Teotihuacan, Classic period, 450–750 C.E., updated by KJones in TMS on 06/18/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
stone: AAT: 300011176
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
face masks: AAT: 300262834
faces (animal or human components): AAT: 300251798
face: DMA
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
sculpture: AAT: 300047090
human figures: AAT: 300404114
triangular (polygonal): AAT: 300263833
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
authority (concepts): DMA
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1973.49
source file
object_notes_3_a-0711.xml.nores