GENERAL DESCRIPTION
The art style associated with the central Mexican city of Teotihuacan (Teotihuacán) is one of the great traditions of ancient Mesoamerica. Nature, fertility, sacrifice, and war were the primary artistic themes, which were eloquently expressed in mural painting, on stone masks, and in painted scenes on ceramic vessels. Teotihuacan ceramic fashions influenced potters throughout Mayan Mesoamerica. The cylindrical shape of this vessel with three rounded feet was the most characteristic form. The incised decoration shows two figures in profile wearing goggles around their eyes and nose ornaments with three fang-like elements. These are attributes of the Storm God, a rain god who was also a god of warfare, as the shield carried by each figure suggests. The prominent headdress topped by green feathers is probably an indication of high status. These luxury vessels have been found in burials at Teotihuacan and as trade pieces in distant parts of Mesoamerica.
Adapted from
Bonnie Pitman, ed., "Cylindrical tripod vessel with two goggled figures (2007.70.FA)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 40.
NOTES
Teotihuacan, Classic, 400–650 C.E. (noted on TMS), updated by KJones on 03/31/14, 06/18/14, 12/10/15, 02/26/16, and 04/10/17.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
ceramic (material): AAT: 300235507
stucco: AAT: 300014966
paint (coating): AAT: 300015029
clay: AAT: 300010439
glazing (coating): AAT: 300053914
incising: AAT: 300053847
burnishing (polishing): AAT: 30053869
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
tripods (stands): AAT: 300164679
tripod vessels (vessels / containers by form): DMA
feet (object components): AAT: 300233911
relief (sculpture techniques): AAT: 300053622
plano relief (sculpture techniques): DMA
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
vessels (containers): AAT: 300193015
funerary objects: AAT: 300234126
nature: AAT: 300179372
fertility: AAT: 300379149
sacrifices: AAT: 300263243
wars: AAT: 300055314
figures: AAT: 300189808
profiles (figures): AAT: 300123319
deities: AAT: 300343850
figures: AAT: 300189808
Tlaloc (Mesoamerican / Aztec deity of rain and lightning): CONA: 1001411
goggle-eye(s) (motif): DMA
nose ornaments (jewelry): AAT: 300211628
fangs (teeth): DMA
storms: AAT: 300054734
rain (precipitation / weather): AAT: 300055377
shields (armor): AAT: 300036869
headdress: AAT: 300046023
feathers (animal components): AAT: 300400474
social status: AAT: 300065206
burials: AAT: 300263485
trade (function): AAT: 300061886
luxury (concept / condition): DMA
scrolls (spirals/motifs): AAT: 300010094
speech (psychological concept): AAT: 300055195
speech scroll (motifs): DMA
RELATED OBJECTS
PROVENANCE
From at least 1975-2007: Elizabeth M. and Duncan E. Boeckman, Dallas [1]
1983-1999: Dallas Museum of Art, on long-term loan from the above [1]
1999-2003: Elizabeth M. and Duncan E. Boeckman, Dallas [1]
2003-2007: Dallas Museum of Art, on long-term loan from the above [1]
From 2007: Dallas Museum of Art, Foundation for the Arts Collection, gift of Elizabeth M. and Duncan E. Boeckman [1], [2]
[1] The main source for this provenance is Deed of Gift from Elizabeth M. and Duncan E. Boeckman (dated December 19, 2007, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2007.70.FA
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General Description
The art style associated with the central Mexican city of Teotihuacan (Teotihuacán) is one of the great traditions of ancient Mesoamerica. Nature, fertility, sacrifice, and war were the primary artistic themes, which were eloquently expressed in mural painting, on stone masks, and in painted scenes on ceramic vessels. Teotihuacan ceramic fashions influenced potters throughout Mayan Mesoamerica. The cylindrical shape of this vessel with three rounded feet was the most characteristic form. The incised decoration shows two figures in profile wearing goggles around their eyes and nose ornaments with three fang-like elements. These are attributes of the Storm God, a rain god who was also a god of warfare, as the shield carried by each figure suggests. The prominent headdress topped by green feathers is probably an indication of high status. These luxury vessels have been found in burials at Teotihuacan and as trade pieces in distant parts of Mesoamerica.
Adapted from
Bonnie Pitman, ed., "Cylindrical tripod vessel with two goggled figures (2007.70.FA)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 40.
Fun Facts
Archival Resources
Web Resources
Notes
Teotihuacan, Classic, 400–650 C.E. (noted on TMS), updated by KJones on 03/31/14, 06/18/14, 12/10/15, 02/26/16, and 04/10/17.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
ceramic (material): AAT: 300235507
stucco: AAT: 300014966
paint (coating): AAT: 300015029
clay: AAT: 300010439
glazing (coating): AAT: 300053914
incising: AAT: 300053847
burnishing (polishing): AAT: 30053869
coiling (pottery technique): AAT: 300053903
modeling (forming): AAT: 300053130
firing (technique): AAT: 300053887
tripods (stands): AAT: 300164679
tripod vessels (vessels / containers by form): DMA
feet (object components): AAT: 300233911
relief (sculpture techniques): AAT: 300053622
plano relief (sculpture techniques): DMA
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
vessels (containers): AAT: 300193015
funerary objects: AAT: 300234126
nature: AAT: 300179372
fertility: AAT: 300379149
sacrifices: AAT: 300263243
wars: AAT: 300055314
figures: AAT: 300189808
profiles (figures): AAT: 300123319
deities: AAT: 300343850
figures: AAT: 300189808
Tlaloc (Mesoamerican / Aztec deity of rain and lightning): CONA: 1001411
goggle-eye(s) (motif): DMA
nose ornaments (jewelry): AAT: 300211628
fangs (teeth): DMA
storms: AAT: 300054734
rain (precipitation / weather): AAT: 300055377
shields (armor): AAT: 300036869
headdress: AAT: 300046023
feathers (animal components): AAT: 300400474
social status: AAT: 300065206
burials: AAT: 300263485
trade (function): AAT: 300061886
luxury (concept / condition): DMA
scrolls (spirals/motifs): AAT: 300010094
speech (psychological concept): AAT: 300055195
speech scroll (motifs): DMA
RELATED OBJECTS
PROVENANCE
From at least 1975-2007: Elizabeth M. and Duncan E. Boeckman, Dallas [1]
1983-1999: Dallas Museum of Art, on long-term loan from the above [1]
1999-2003: Elizabeth M. and Duncan E. Boeckman, Dallas [1]
2003-2007: Dallas Museum of Art, on long-term loan from the above [1]
From 2007: Dallas Museum of Art, Foundation for the Arts Collection, gift of Elizabeth M. and Duncan E. Boeckman [1], [2]
[1] The main source for this provenance is Deed of Gift from Elizabeth M. and Duncan E. Boeckman (dated December 19, 2007, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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object_notes_3_a-0699.xml.nores