GENERAL DESCRIPTION
Small carvings of human figures are a common sculptural theme among the various cultural groups of both Central and West Mexico. Lapidary artists favored a variety of precious materials for their small-scale sculptures, including alabaster, obsidian, jade, serpentine, and other varieties of greenstone. This is a fine example of stone carving from Late Formative (Late Preclassic) Guerrero. This region is known for a wide variety of sculptural styles from multiple cultural groups that inhabited this area of southwest Mexico. The most well-known Guerrero style is called Mezcala, primarily small-scale abstract stone sculptures depicting human figures, masks, and temple-like buildings. This example depicts a multi-leveled ballcourt, and the two holes drilled on each side of the carving suggest it was originally worn as a pendant. The ball game was centrally important in Mesoamerican ideology, and this pendant illustrates its significance as early as the Formative (Preclassic) period. During the Classic period (150/300-650/900 CE), city centers created ball courts where they played ritual ballgames with their sacrificial victims, highborn lords who were taken in battle. Typical of the Mezcala style, the carving appears simple and elementary in form, while also very modern in its abstraction and expression.
Mexican artist Miguel Covarrubias identified the Mezcala lithic, or stone, art style in the 1940s. While the characteristic geometric forms of the figures and temples make them easy to recognize, placing them in time has been challenging, for none had been found in an archaeological context in Guerrero. In 1989, seven objects in the Mezcala style were found beneath the floors of residential complexes at Ahuinahuac, and associated materials have been securely dated to the Late Formative (Late Preclassic) period, between c. 500 and 200 BCE. Other objects in the style have since been found in context, at least one associated with material from the Late Classic period (c. 700–900 CE). Additional contextual information is needed to determine whether the presence of Mezcala-style objects in late contexts represents heirloom status, as it did in the Mezcala style objects found at the Templo Mayor at the Aztec capital of Tenochtitlán, or a living sculptural tradition that persisted through centuries. The emphasis on stone sculpture in the Guerrero region also suggests an interaction with the Olmec peoples of the Gulf Coast, and many Olmec style objects have been found near this area.
Adapted from
- Carol Robbins, Label text [1968.4; 1967.11; 1971.62; 1972.40; 1971.61], A. H. Meadows Galleries.
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Carol Robbins, Label text [1973.35], A. H. Meadows Galleries, 2010.
- Gallery text [Veracruz], A. H. Meadows Galleries.
- Gallery text [West Mexico], A. H. Meadows Galleries.
NOTES
Mezcala, Late Formative period, 200 B.C.E.–500 C.E. (noted on TMS), updated by KJones on 04/01/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Mezcala (West Coast Mesoamerican styles / Guerrero): AAT: 300017193
West Coast Mesoamerican styles: AAT: 300017196
Geography
Mexico (nation): TGN: 7005560
Guerrero (state/Mexico): TGN: 7005585
Mezcala (inhabited place / Mexcala): TGN: 1017856
Balsas (inhabited place): TGN: 7351418
Río Balsas (stream): TGN: 7404865
Río Balsas (river): TGN: 1121636
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Formative Period (Preclassic): AAT: 300016973
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Late Preclassic Period (Formative): AAT: 300016976
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
sculpture: AAT: 300047090
effigies (funerary sculpture): AAT: 300047108
ritual objects: AAT: 300312158
models (repesentations): AAT: 300047753
ball courts (Mesoamerican): AAT: 300007324
replicas (reproduction): AAT: 300015642
ball games (games / activities): AAT: 300239662
stairs: AAT: 300003228
platforms (general): AAT: 300375665
creation (doctrinal concept): AAT: 300069002
mountains: AAT: 300008795
Creation Mountain (Mesoamerican doctrinal / religious concept): DMA
myth: AAT: 300201023
rituals (events): AAT: 300065284
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
captive (prisoners of war): AAT: 300259895
nobility (nobles / aristocracy): AAT: 300025942
battles: AAT: 300185692
wars: AAT: 300055314
Covarrubias_Miguel: ULAN: 500122721
geometric abstraction: AAT: 300056509
geometric shape: AAT: 300263819
buildings (structures): AAT: 300004792
dwellings (residential structures): AAT: 300005425
Ahuinahuac (deserted settlement / Mexico): DMA
Templo Mayor (historic structure): TGN: 7032716
Tenochtitlán (Mexico City): TGN: 7007227
Olmec: AAT: 300017051
abstract: AAT: 300108127
abstraction: AAT: 300056508
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
From 1971: Dallas Museum of Fine Arts, General Acquisitions Fund, purchased from Teochita, Inc., New York [1], [2]
[1] The main source for this provenance is Collections Record Sheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
The Metropolitan Museum of Art~Read more about architectural models from the ancient Americas.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1971.61
Category
rules_operator
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General Description
Small carvings of human figures are a common sculptural theme among the various cultural groups of both Central and West Mexico. Lapidary artists favored a variety of precious materials for their small-scale sculptures, including alabaster, obsidian, jade, serpentine, and other varieties of greenstone. This is a fine example of stone carving from Late Formative (Late Preclassic) Guerrero. This region is known for a wide variety of sculptural styles from multiple cultural groups that inhabited this area of southwest Mexico. The most well-known Guerrero style is called Mezcala, primarily small-scale abstract stone sculptures depicting human figures, masks, and temple-like buildings. This example depicts a multi-leveled ballcourt, and the two holes drilled on each side of the carving suggest it was originally worn as a pendant. The ball game was centrally important in Mesoamerican ideology, and this pendant illustrates its significance as early as the Formative (Preclassic) period. During the Classic period (150/300-650/900 CE), city centers created ball courts where they played ritual ballgames with their sacrificial victims, highborn lords who were taken in battle. Typical of the Mezcala style, the carving appears simple and elementary in form, while also very modern in its abstraction and expression.
Mexican artist Miguel Covarrubias identified the Mezcala lithic, or stone, art style in the 1940s. While the characteristic geometric forms of the figures and temples make them easy to recognize, placing them in time has been challenging, for none had been found in an archaeological context in Guerrero. In 1989, seven objects in the Mezcala style were found beneath the floors of residential complexes at Ahuinahuac, and associated materials have been securely dated to the Late Formative (Late Preclassic) period, between c. 500 and 200 BCE. Other objects in the style have since been found in context, at least one associated with material from the Late Classic period (c. 700–900 CE). Additional contextual information is needed to determine whether the presence of Mezcala-style objects in late contexts represents heirloom status, as it did in the Mezcala style objects found at the Templo Mayor at the Aztec capital of Tenochtitlán, or a living sculptural tradition that persisted through centuries. The emphasis on stone sculpture in the Guerrero region also suggests an interaction with the Olmec peoples of the Gulf Coast, and many Olmec style objects have been found near this area.
Adapted from
- Carol Robbins, Label text [1968.4; 1967.11; 1971.62; 1972.40; 1971.61], A. H. Meadows Galleries.
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Carol Robbins, Label text [1973.35], A. H. Meadows Galleries, 2010.
- Gallery text [Veracruz], A. H. Meadows Galleries.
- Gallery text [West Mexico], A. H. Meadows Galleries.
Fun Facts
Archival Resources
Web Resources
Notes
Mezcala, Late Formative period, 200 B.C.E.–500 C.E. (noted on TMS), updated by KJones on 04/01/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Mezcala (West Coast Mesoamerican styles / Guerrero): AAT: 300017193
West Coast Mesoamerican styles: AAT: 300017196
Geography
Mexico (nation): TGN: 7005560
Guerrero (state/Mexico): TGN: 7005585
Mezcala (inhabited place / Mexcala): TGN: 1017856
Balsas (inhabited place): TGN: 7351418
Río Balsas (stream): TGN: 7404865
Río Balsas (river): TGN: 1121636
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Formative Period (Preclassic): AAT: 300016973
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Late Preclassic Period (Formative): AAT: 300016976
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
sculpture: AAT: 300047090
effigies (funerary sculpture): AAT: 300047108
ritual objects: AAT: 300312158
models (repesentations): AAT: 300047753
ball courts (Mesoamerican): AAT: 300007324
replicas (reproduction): AAT: 300015642
ball games (games / activities): AAT: 300239662
stairs: AAT: 300003228
platforms (general): AAT: 300375665
creation (doctrinal concept): AAT: 300069002
mountains: AAT: 300008795
Creation Mountain (Mesoamerican doctrinal / religious concept): DMA
myth: AAT: 300201023
rituals (events): AAT: 300065284
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
captive (prisoners of war): AAT: 300259895
nobility (nobles / aristocracy): AAT: 300025942
battles: AAT: 300185692
wars: AAT: 300055314
Covarrubias_Miguel: ULAN: 500122721
geometric abstraction: AAT: 300056509
geometric shape: AAT: 300263819
buildings (structures): AAT: 300004792
dwellings (residential structures): AAT: 300005425
Ahuinahuac (deserted settlement / Mexico): DMA
Templo Mayor (historic structure): TGN: 7032716
Tenochtitlán (Mexico City): TGN: 7007227
Olmec: AAT: 300017051
abstract: AAT: 300108127
abstraction: AAT: 300056508
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
From 1971: Dallas Museum of Fine Arts, General Acquisitions Fund, purchased from Teochita, Inc., New York [1], [2]
[1] The main source for this provenance is Collections Record Sheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1971.61
source file
object_notes_3_a-0687.xml.nores