GENERAL DESCRIPTION
These three standing female figures (1973.62, 1973.63, 1973.64) fit within the Classic period south-central Veracruz ceramic tradition. Formed by coil or slab technique with mold made faces, Veracruz ceramics usually depict human figures, often elaborately costumed, in a variety of poses. These examples wear intricate beaded headdresses, ear ornaments, necklaces, and decorated textile dress or skirt and shirt with geometric motifs and a monkey-like animal depicted on the chest in varying positions. The lower motifs on the skirt are common, but the monkey motif is unusual. Portrayed in a powerful wide stance with hands facing outward, either in an ecstatic raised pose (1973.63) or resting on the hips (1973.62, 1973.64), this could be a reference to a ritual or ceremonial pose. Two of the figures actually have a whistle above the left hands (1973.62, 1973.64), and their function as musical instruments may relate further to their ceremonial or celebratory purpose. These figures are possibly from the El Faisán area, near the Gulf Coast of Mexico in south-central Veracruz. Most Faisán figures are smaller, and depict sacrificial women or men dressed as women. These larger female figures are thus exceptional because of their size. Veracruz ceramics were often deliberately broken, used ritually as offerings, and were often buried with the dead.
Adapted from
- Carol Robbins, "Bowl with ceremonially costumed figures (1977.52)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 187.
- Bonnie Pitman, ed., "Bowl with ceremonially costumed figures (1977.52)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 41.
- Carol Robbins, Label text [1977.52], A. H. Meadows Galleries, 2010.
- S. Jeffrey K. Wilkerson, DMA unpublished material [1973.62, 1973.63, 1973.64], 1993.
- DMA unpublished material [1970.5; 1973.62; 1973.63; 1973.64].
NOTES
- Central Veracruz, 450–600 C.E., updated by KJones in TMS on 10/15/13; no period noted.
- General Description drawn from: DMA unpublished material [Object Information Card (1970.5; 1973.62; 1973.63; 1973.64), n.d., Dallas Museum of Art Collections Records Object File; Object Worksheet (1973.62; 1973.63; 1973.64), n.d. (copy in Dallas Museum of Art Collections Records Object File); S. Jeffrey K. Wilkerson, TMS, Notes / Text Entries, Attribution (1973.62, 1973.63, 1973.64), 1993].
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Gulf Coast Mesoamerican styles: AAT: 300108063
Classic Veracruz styles: AAT: 300017056
Late Classic Veracruz: AAT: 300266231
Geography
Veracruz (state): TGN: 7005599
Mexico (nation): TGN: 7005560
El Faisán (inhabited place): TGN: 7401543
Process/materials
ceramic (material): AAT: 300235507
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
resin (organic material): AAT: 300012882
mineral pigment: AAT: 300375550
clay: AAT: 300010439
glazing (coating): AAT: 300053914
modeling (forming): AAT: 300053130
slab method (pottery technique): AAT: 300053905
coiling (pottery technique): AAT: 300053903
molding (forming): AAT: 300053134
burnishing (polishing): AAT: 30053869
Historical periods
Early Classic: AAT: 300016984
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
ceremonial objects: AAT: 300234117
standing: AAT: 300239500
female: AAT: 300189557
women (female humans): AAT: 300025943
figures: AAT: 300189808
human figures: AAT: 300404114
faces (animal or human components): AAT: 300251798
head: AAT: 300262520
costume: AAT: 300209261
headdresses: AAT: 300046023
ear ornaments: AAT: 300211279
earspools: AAT: 300209300
necklaces: AAT: 300046001
textiles (visual works): AAT: 300014063
skirts (garments): AAT: 300209932
shirts (camisas / main garments): AAT: 300212499
geometric motifs: AAT: 300009764
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
triangles (polygons): AAT: 300009806
trefoils (geometric motifs): AAT: 300009786
animals: DMA
monkeys (animals): AAT: 300250028
pose: AAT: 300067390
whistles (flutes (aerophones)): AAT: 300042706
musical instruments: AAT: 300041620
music (discipline): AAT: 300054146
celebrations: AAT: 300152441
sacrifices: AAT: 300263243
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
burials: AAT: 300263485
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.62
Category
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General Description
These three standing female figures (1973.62, 1973.63, 1973.64) fit within the Classic period south-central Veracruz ceramic tradition. Formed by coil or slab technique with mold made faces, Veracruz ceramics usually depict human figures, often elaborately costumed, in a variety of poses. These examples wear intricate beaded headdresses, ear ornaments, necklaces, and decorated textile dress or skirt and shirt with geometric motifs and a monkey-like animal depicted on the chest in varying positions. The lower motifs on the skirt are common, but the monkey motif is unusual. Portrayed in a powerful wide stance with hands facing outward, either in an ecstatic raised pose (1973.63) or resting on the hips (1973.62, 1973.64), this could be a reference to a ritual or ceremonial pose. Two of the figures actually have a whistle above the left hands (1973.62, 1973.64), and their function as musical instruments may relate further to their ceremonial or celebratory purpose. These figures are possibly from the El Faisán area, near the Gulf Coast of Mexico in south-central Veracruz. Most Faisán figures are smaller, and depict sacrificial women or men dressed as women. These larger female figures are thus exceptional because of their size. Veracruz ceramics were often deliberately broken, used ritually as offerings, and were often buried with the dead.
Adapted from
- Carol Robbins, "Bowl with ceremonially costumed figures (1977.52)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 187.
- Bonnie Pitman, ed., "Bowl with ceremonially costumed figures (1977.52)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 41.
- Carol Robbins, Label text [1977.52], A. H. Meadows Galleries, 2010.
- S. Jeffrey K. Wilkerson, DMA unpublished material [1973.62, 1973.63, 1973.64], 1993.
- DMA unpublished material [1970.5; 1973.62; 1973.63; 1973.64].
Fun Facts
Archival Resources
Web Resources
Notes
- Central Veracruz, 450–600 C.E., updated by KJones in TMS on 10/15/13; no period noted.
- General Description drawn from: DMA unpublished material [Object Information Card (1970.5; 1973.62; 1973.63; 1973.64), n.d., Dallas Museum of Art Collections Records Object File; Object Worksheet (1973.62; 1973.63; 1973.64), n.d. (copy in Dallas Museum of Art Collections Records Object File); S. Jeffrey K. Wilkerson, TMS, Notes / Text Entries, Attribution (1973.62, 1973.63, 1973.64), 1993].
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Gulf Coast Mesoamerican styles: AAT: 300108063
Classic Veracruz styles: AAT: 300017056
Late Classic Veracruz: AAT: 300266231
Geography
Veracruz (state): TGN: 7005599
Mexico (nation): TGN: 7005560
El Faisán (inhabited place): TGN: 7401543
Process/materials
ceramic (material): AAT: 300235507
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
resin (organic material): AAT: 300012882
mineral pigment: AAT: 300375550
clay: AAT: 300010439
glazing (coating): AAT: 300053914
modeling (forming): AAT: 300053130
slab method (pottery technique): AAT: 300053905
coiling (pottery technique): AAT: 300053903
molding (forming): AAT: 300053134
burnishing (polishing): AAT: 30053869
Historical periods
Early Classic: AAT: 300016984
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
ceremonial objects: AAT: 300234117
standing: AAT: 300239500
female: AAT: 300189557
women (female humans): AAT: 300025943
figures: AAT: 300189808
human figures: AAT: 300404114
faces (animal or human components): AAT: 300251798
head: AAT: 300262520
costume: AAT: 300209261
headdresses: AAT: 300046023
ear ornaments: AAT: 300211279
earspools: AAT: 300209300
necklaces: AAT: 300046001
textiles (visual works): AAT: 300014063
skirts (garments): AAT: 300209932
shirts (camisas / main garments): AAT: 300212499
geometric motifs: AAT: 300009764
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
triangles (polygons): AAT: 300009806
trefoils (geometric motifs): AAT: 300009786
animals: DMA
monkeys (animals): AAT: 300250028
pose: AAT: 300067390
whistles (flutes (aerophones)): AAT: 300042706
musical instruments: AAT: 300041620
music (discipline): AAT: 300054146
celebrations: AAT: 300152441
sacrifices: AAT: 300263243
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
burials: AAT: 300263485
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1973.62
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object_notes_3_a-0677.xml.nores