1976.W.237 Pendant depicting a figure with bat like mask (Diquís, Costa Rica, Palma Sur)



GENERAL DESCRIPTION  
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold pendants were still worn by local inhabitants of the Caribbean coast when Europeans encountered them at the turn of the 16th century. The Diquís archaeological zone on Costa Rica's southern Pacific coast became a major gold-working area after the technology diffused northward from the Northern Andes, probably about 300 to 500 CE. Goldsmiths of this region favored depiction of birds and animals of a dangerous or predatory nature, and craftsmen cleverly adapted the natural forms of totemic creatures to the functional demands of jewelry. Diquís art styles, both gold and ceramic, have much in common with those of the adjacent Chiriquí region of northwestern Panama—archaeologists often treat them together as the Greater Chiriquí subarea.

This pendant represents a characteristic Diquís type that features a central male figure standing between two flat, essentially horizontal, bars that frame the composition. The columnar torso, the narrow bands or cords that encircle the waist and knees, and the projecting flat feet are elements common to most examples, while the type of mask worn by the figure, the object held in the mouth of the mask, and whether the figure has arms or winglike forms vary. On this pendant, the curled nose and prominent ears suggest a bat mask, which holds a tiny trophy head, a reference to the importance of human sacrifice. Crescent wings extend from the torso. The configuration of concentric spirals and diagonal lines flanking the head and feet (above and below the wings) is thought to represent a crocodile head. The central figure may depict a shaman or a warrior-chief, both intermediaries between earthly and cosmic realms. Pendants of this type probably functioned as emblems of rank or status or as amulets.

Adapted from
  • Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
  • Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.

NOTES
Diquis, 700–1550 C.E. (noted on TMS), updated by KJones on 06/19/14, 03/25/16, 03/30/16, 03/31/16, and 04/19/17.

Cultures
Diquís: AAT: 300017245
Costa Rican styles: AAT: 300386018
Pre-Columbian (American): AAT: 300016619

Geography 
Costa Rica (nation): TGN: 7005364
Puntarenas (province): TGN: 1001491
Palmar Sur: TGN: 1016254

Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT: 
300053886
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016      
embossing (technique): AAT: 300053826  
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016 
metalwork: AAT: 300015336      
hammering (metal finishing): AAT: 300054098

Historical periods

Individuals

Subject terms
worn costume accessories: AAT: 300209274
pendants (jewelry): AAT: 300046002
jewelry: AAT: 300209286
shiny (shine): AAT: 300065244
scrolls (spirals, motifs): AAT: 300010094 
spirals (geometric figures): AAT: 300163114
bands (decorative): DMA
figures: AAT: 300189808
standing: AAT: 300239500
male: AAT: 300189559
nude: AAT: 300189568
masks (costume): AAT: 300138758 
bat (animal): AAT: 300310316
trophy head: DMA
sacrifices: AAT: 300263243
crescent (motif): AAT: 300165510
wings (animal components): AAT: 300375053
crocodile (crocodylidae family): AAT: 300250293
head: AAT: 300262520
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
deaths: AAT: 300151836
life (biological concepts): AAT: 300055134
symmetry: AAT: 300056249
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
supernatural (concepts): AAT: 300055947
predators: AAT: 300249916
shaman: AAT: 300218522
underworld: DMA
amulets: AAT: 300266585
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]

[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1976.W.237

Category
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General Description
 
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold pendants were still worn by local inhabitants of the Caribbean coast when Europeans encountered them at the turn of the 16th century. The Diquís archaeological zone on Costa Rica's southern Pacific coast became a major gold-working area after the technology diffused northward from the Northern Andes, probably about 300 to 500 CE. Goldsmiths of this region favored depiction of birds and animals of a dangerous or predatory nature, and craftsmen cleverly adapted the natural forms of totemic creatures to the functional demands of jewelry. Diquís art styles, both gold and ceramic, have much in common with those of the adjacent Chiriquí region of northwestern Panama—archaeologists often treat them together as the Greater Chiriquí subarea.

This pendant represents a characteristic Diquís type that features a central male figure standing between two flat, essentially horizontal, bars that frame the composition. The columnar torso, the narrow bands or cords that encircle the waist and knees, and the projecting flat feet are elements common to most examples, while the type of mask worn by the figure, the object held in the mouth of the mask, and whether the figure has arms or winglike forms vary. On this pendant, the curled nose and prominent ears suggest a bat mask, which holds a tiny trophy head, a reference to the importance of human sacrifice. Crescent wings extend from the torso. The configuration of concentric spirals and diagonal lines flanking the head and feet (above and below the wings) is thought to represent a crocodile head. The central figure may depict a shaman or a warrior-chief, both intermediaries between earthly and cosmic realms. Pendants of this type probably functioned as emblems of rank or status or as amulets.

Adapted from
  • Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
  • Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.

Fun Facts

Archival Resources

Web Resources
 

Notes
Diquis, 700–1550 C.E. (noted on TMS), updated by KJones on 06/19/14, 03/25/16, 03/30/16, 03/31/16, and 04/19/17.

Cultures
Diquís: AAT: 300017245
Costa Rican styles: AAT: 300386018
Pre-Columbian (American): AAT: 300016619

Geography 
Costa Rica (nation): TGN: 7005364
Puntarenas (province): TGN: 1001491
Palmar Sur: TGN: 1016254

Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT: 
300053886
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016      
embossing (technique): AAT: 300053826  
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016 
metalwork: AAT: 300015336      
hammering (metal finishing): AAT: 300054098

Historical periods

Individuals

Subject terms
worn costume accessories: AAT: 300209274
pendants (jewelry): AAT: 300046002
jewelry: AAT: 300209286
shiny (shine): AAT: 300065244
scrolls (spirals, motifs): AAT: 300010094 
spirals (geometric figures): AAT: 300163114
bands (decorative): DMA
figures: AAT: 300189808
standing: AAT: 300239500
male: AAT: 300189559
nude: AAT: 300189568
masks (costume): AAT: 300138758 
bat (animal): AAT: 300310316
trophy head: DMA
sacrifices: AAT: 300263243
crescent (motif): AAT: 300165510
wings (animal components): AAT: 300375053
crocodile (crocodylidae family): AAT: 300250293
head: AAT: 300262520
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
deaths: AAT: 300151836
life (biological concepts): AAT: 300055134
symmetry: AAT: 300056249
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
supernatural (concepts): AAT: 300055947
predators: AAT: 300249916
shaman: AAT: 300218522
underworld: DMA
amulets: AAT: 300266585
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]

[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1976.W.237
tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
funerary objects: AAT: 300234126
nude: AAT: 300189568
Pre-Columbian (American): AAT: 300016619
figures (representations): AAT: 300189808
standing: AAT: 300239500
%Archived
myth: AAT: 300201023
masks (costume): AAT: 300138758
mythical or legendary beings: AAT: 300375725
heads (representations): AAT: 300262520
jewelry: AAT: 300209286
worn costume accessories: AAT: 300209274
scrolls (spirals/motifs): AAT: 300010094
male: AAT: 300189559
sacrifices: AAT: 300263243
spirals (geometric figures): AAT: 300163114
metalwork: AAT: 300015336
pendants (jewelry): AAT: 300046002
power: AAT: 300374809
wings (animal components): AAT: 300375053
goldwork: AAT: 300044045
repoussé: AAT: 300054023
ceremonial costume: AAT: 300210387
sheet metal: AAT: 300223016
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
gold (metal): AAT: 300011021
hammering (metal finishing): AAT: 300054098
prestige: AAT: 300343604
social status: AAT: 300065206
crescent (motif): AAT: 300165510
symmetry: AAT: 300056249
shiny (shine): AAT: 300065244
bands (decorative): DMA
supernatural (concepts): AAT: 300055947
solder: AAT: 300010993
annealing: AAT: 300053886
casting (process): AAT: 300053104
deaths: AAT: 300151836
life (biological concepts): AAT: 300055134
bat (animal): AAT: 300310316
Costa Rica (nation): TGN: 7005364
crocodile (animals/crocodylidae family): AAT: 300250293
predators: AAT: 300249916
shaman: AAT: 300218522
Costa Rican styles: AAT: 300386018
Diquís: AAT: 300017245
Puntarenas (province/Costa Rica): TGN: 1001491
Palmar Sur: TGN: 1016254
source file
object_notes_3_a-0668.xml.nores