1969.S.6 Standing Figure


GENERAL DESCRIPTION  
Small in stature but monumental in visual impact, this standing figure is highly stylized. There are no eyes, only a nose with slanted nostril-like perforations on its concave face. Below, a hole probably represents a mouth. One of the pierced ears carries an ornamental stalk. Beneath the angular neck, relief-carved arms frame a prominent herniated navel. The figure stands on short zigzag legs. 

Neither this figure's precise ethnic attribution nor its use is known. Stylistic traits and religious practices suggest it originated in the Ubangi region and may have been used to ascertain the cause and cure of misfortune. It was a surrogate for a rubbing oracle—like the Kuba divining object in the form of an animal (1969.S.76.a-b)—when a diviner was not available. The central plane of the figure's torso corresponds to the divining instrument, and the navel represents the disk rubbed along the instrument.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES

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PROVENANCE 
n.d.: Stillman Collection, New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott, purchased from above [1]

Notes:
The main source for this provenance is the object record card in the Collections Records object file.

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1969.S.6

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General Description
 
Small in stature but monumental in visual impact, this standing figure is highly stylized. There are no eyes, only a nose with slanted nostril-like perforations on its concave face. Below, a hole probably represents a mouth. One of the pierced ears carries an ornamental stalk. Beneath the angular neck, relief-carved arms frame a prominent herniated navel. The figure stands on short zigzag legs. 

Neither this figure's precise ethnic attribution nor its use is known. Stylistic traits and religious practices suggest it originated in the Ubangi region and may have been used to ascertain the cause and cure of misfortune. It was a surrogate for a rubbing oracle—like the Kuba divining object in the form of an animal (1969.S.76.a-b)—when a diviner was not available. The central plane of the figure's torso corresponds to the divining instrument, and the navel represents the disk rubbed along the instrument.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Stillman Collection, New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott, purchased from above [1]

Notes:
The main source for this provenance is the object record card in the Collections Records object file.

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

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rules
Apply To
Objects
number
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1969.S.6
tags
#draft
#completed
%copyedited_Gail
standing: AAT: 300239500
%Archived
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
zigzags (geometric patterns): AAT: 300165028
fiber: AAT: 300014024
planes (mathematics): AAT: 300055640
stylization: AAT: 300055836
angles (geometric concepts): AAT: 300055620
diviners: AAT: 300207878
divination objects: AAT: 300263039
Boma: AAT: 300016249
Central African Republic (nation): TGN: 1000155
source file
object_notes_3_a-0535.xml.nores