1974.Sc.5 Standing female figure


GENERAL DESCRIPTION  
This sculpture is one of seventeen standing female figures attributed to the Master of Ogol, an artist who worked in villages located on the Bandiagara Escarpment. Standing on slightly bent legs, each figure has a bullet-shaped head under a crested arrow-shaped "catfish" coiffure ending in a long braid at the back. The face has holes for eyes and a nose with broad nostrils parallel to the equally wide lips. Beneath a prominent chin is a long labret, an ornament worn in a perforation of the lip. The arms are held away from the elongated torso and bent at the elbow, with the hands placed at either side of the abdomen. Most figures have perforated ears for earrings and wear bracelets on the arms, just above the elbows.

The function of these figures, which are said to represent the first female ancestor, is not precisely known. They are placed on altars kept by women and used in both fertility and mortuary rituals.

Excerpt from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES

Catalogue essays

Artist/designers
Master of Ogol (active mid- to late 19th century)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
n.d.: Schindler Collection, New York

1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1974.Sc.5

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General Description
 
This sculpture is one of seventeen standing female figures attributed to the Master of Ogol, an artist who worked in villages located on the Bandiagara Escarpment. Standing on slightly bent legs, each figure has a bullet-shaped head under a crested arrow-shaped "catfish" coiffure ending in a long braid at the back. The face has holes for eyes and a nose with broad nostrils parallel to the equally wide lips. Beneath a prominent chin is a long labret, an ornament worn in a perforation of the lip. The arms are held away from the elongated torso and bent at the elbow, with the hands placed at either side of the abdomen. Most figures have perforated ears for earrings and wear bracelets on the arms, just above the elbows.

The function of these figures, which are said to represent the first female ancestor, is not precisely known. They are placed on altars kept by women and used in both fertility and mortuary rituals.

Excerpt from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers
Master of Ogol (active mid- to late 19th century)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
n.d.: Schindler Collection, New York

1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1974.Sc.5
tags
#draft
#completed
%copyedited_Gail
fertility: AAT: 300379149
female: AAT: 300189557
hairstyles: AAT: 300262903
standing: AAT: 300239500
%Archived
jewelry: AAT: 300209286
ritual (events): AAT: 300065284
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
ritual objects: AAT: 300312158
ancestors: AAT: 300255718
beads (pierced objects): AAT: 300234006
metal: AAT: 300010900
Dogon: AAT: 300015855
mortuaries: AAT: 300005879
Mali (nation): TGN: 1000175
altars: AAT: 300003725
source file
object_notes_3_a-0527.xml.nores