1994.199.1.McD Kneeling male figure


GENERAL DESCRIPTION  
Commissioned by thankful petitioners, this figure and its pair were once placed on an altar dedicated to Shango, the Yoruba thunder god (see also [1994.199.2.McD]). His wrath and power are manifested in thunder and lightning, which he uses to punish those who do not honor him. He favors those who do with fertility, prosperity, good health, and long life.

Shango is not portrayed as a man but is symbolized by the carved triangular forms on the male figure's cap, which represent thunderstones Shango hurls from the sky. Both figures are posed kneeling out of respect and courtesy to Shango and his worshippers. 

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

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PROVENANCE 
n.d.: Ginzberg Collection, New York

1994: Dallas Museum of Art, purchased from L & R Entwhistle and Co. Ltd, London [1]

The main source for this provenance is the invoice dated November 23, 1994, in the Collections Records object file (1994.199.1-2.McD)

[1] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museums. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fun remains with the Fund.

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General Description
 
Commissioned by thankful petitioners, this figure and its pair were once placed on an altar dedicated to Shango, the Yoruba thunder god (see also [1994.199.2.McD]). His wrath and power are manifested in thunder and lightning, which he uses to punish those who do not honor him. He favors those who do with fertility, prosperity, good health, and long life.

Shango is not portrayed as a man but is symbolized by the carved triangular forms on the male figure's cap, which represent thunderstones Shango hurls from the sky. Both figures are posed kneeling out of respect and courtesy to Shango and his worshippers. 

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 
Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Ginzberg Collection, New York

1994: Dallas Museum of Art, purchased from L & R Entwhistle and Co. Ltd, London [1]

The main source for this provenance is the invoice dated November 23, 1994, in the Collections Records object file (1994.199.1-2.McD)

[1] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museums. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fun remains with the Fund.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1994.199.1.McD
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1994.199.2.McD
tags
#draft
#completed
%copyedited_Gail
fertility: AAT: 300379149
female: AAT: 300189557
caps (headgear): AAT: 300046094
%Archived
deities: AAT: 300343850
cups (drinking vessels): AAT: 300043202
male: AAT: 300189559
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
Nigeria (nation): TGN: 1000182
couple (grouping of figures): AAT: 300379217
triangles (polygons): AAT: 300009806
lightning: AAT: 300068795
beads (pierced objects): AAT: 300234006
god (deity): AAT: 300343851
kneeling: AAT: 300265356
indigo (colorant): AAT: 300013055
Shango: DMA
prosperity: AAT: 300055744
altars: AAT: 300003725
health: AAT: 300055133
source file
object_notes_3_a-0520.xml.nores