GENERAL DESCRIPTION
This elaborate necklace from Thanjavur may have been associated with jewelry worn by practitioners of Bharatanatyam, a classical south Indian dance form that originated in the state of Tamil Nadu. It was originally performed in temples by highly trained and educated women who served the deity and thus did not marry. Performers wore elaborate costumes and jewelry that reflected the wealth of the temple to which they belonged. This necklace could also have belonged to the wife of a wealthy gentleman.
While it is not clear whether this particular necklace was part of a temple dancer's regalia, its overall style is typical of such items of jewelry. Its chain of pearls and gold, interestingly, suggests influence from the north Indian Mughal court. The basic form of the Mughal-style long necklace (patadi har) has, in Tamil Nadu, taken on the appearance of a flower garland. This particular necklace evokes the form of Shiva lingam and of peacocks.
Adapted from
- Catherine Asher, "Necklace" in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 138.
- Anne Bromberg, DMA unpublished material, 1997.
NOTES
reviewed object file.
Catalogue essays
Artist/designers
Cultures
Mughal: AAT: 300018939
Geography
Tamil Nadu: TGN: 7001797
India (nation): TGN: 7000198
Thanjavur (inhabited place): TGN: 7016825
Process/materials
gold (metal): AAT: 300011021
pearls (animal material): AAT: 300011827
diamond (mineral): AAT: 300011084
ruby: AAT: 300011082
emerald (mineral): AAT: 300011074
Historical periods
nineteenth century (dates CE): AAT: 300404513
Individuals
Subject terms
necklaces: AAT: 300046001
jewelry: AAT: 300209286
RELATED OBJECTS
1996.211 Hair braid ornament
1996.218 Arm band
PROVENANCE
From 1999: Dallas Museum of Art, gift of David T. Owsley through the Alconda-Owsley Foundation [1]
Before 1999: Ernst Egon von Lixfeld, Scottsdale Az. [2]
[1] See Deed of Gift (dated January 21, 1999, copy in object file).
[2] A letter from Gabriela Truly of the Dallas Museum of Art to "Tsajon" Ernst-Egon von Lixfeld (dated March 16, 1998) documents that the necklace was then in the collection of von Lixfeld.
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General Description
This elaborate necklace from Thanjavur may have been associated with jewelry worn by practitioners of Bharatanatyam, a classical south Indian dance form that originated in the state of Tamil Nadu. It was originally performed in temples by highly trained and educated women who served the deity and thus did not marry. Performers wore elaborate costumes and jewelry that reflected the wealth of the temple to which they belonged. This necklace could also have belonged to the wife of a wealthy gentleman.
While it is not clear whether this particular necklace was part of a temple dancer's regalia, its overall style is typical of such items of jewelry. Its chain of pearls and gold, interestingly, suggests influence from the north Indian Mughal court. The basic form of the Mughal-style long necklace (patadi har) has, in Tamil Nadu, taken on the appearance of a flower garland. This particular necklace evokes the form of Shiva lingam and of peacocks.
Adapted from
- Catherine Asher, "Necklace" in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 138.
- Anne Bromberg, DMA unpublished material, 1997.
Fun Facts
Archival Resources
Web Resources
Notes
reviewed object file.
Catalogue essays
Artist/designers
Cultures
Mughal: AAT: 300018939
Geography
Tamil Nadu: TGN: 7001797
India (nation): TGN: 7000198
Thanjavur (inhabited place): TGN: 7016825
Process/materials
gold (metal): AAT: 300011021
pearls (animal material): AAT: 300011827
diamond (mineral): AAT: 300011084
ruby: AAT: 300011082
emerald (mineral): AAT: 300011074
Historical periods
nineteenth century (dates CE): AAT: 300404513
Individuals
Subject terms
necklaces: AAT: 300046001
jewelry: AAT: 300209286
RELATED OBJECTS
1996.211 Hair braid ornament
1996.218 Arm band
PROVENANCE
From 1999: Dallas Museum of Art, gift of David T. Owsley through the Alconda-Owsley Foundation [1]
Before 1999: Ernst Egon von Lixfeld, Scottsdale Az. [2]
[1] See Deed of Gift (dated January 21, 1999, copy in object file).
[2] A letter from Gabriela Truly of the Dallas Museum of Art to "Tsajon" Ernst-Egon von Lixfeld (dated March 16, 1998) documents that the necklace was then in the collection of von Lixfeld.
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