1956.102 Reginald Marsh, Mink and Mannequin

GENERAL DESCRIPTION  
Reginald Marsh painted the American scene as well as any artist between the two World Wars. His paintings and drawings of New York City life are unforgettable records of the period. His approach to his art was straightforward; "I believe that if we follow the great masters and paint from our own experience, we shall contribute valuably." Even ordinary urban scenes were given eloquence through an understanding of form, color, and composition. Marsh was a prolific sketcher and carried handmade pads of paper in his pockets on his many forays into the neighborhoods of New York City. His work is securely placed within the long tradition of genre painting, the timeless art of everyday life.

Adapted from
DMA unpublished material

NOTES
Created in 1940

Object File Reviewed

On a piece of paper with no author, date, etc. Seems like it was written for 1979.11, but could work for this as well.: 
Reginald Marsh painted the American scene as well as any artist between the two World Wars. He reached artistic maturity in the 1930s, at a time when the nation was undergoing a severe economic depression. His paintings and drawings of New York City life are unforgettable records of the period. His approach to his art was straightforward; "I believe that if we follow the great masters and paint from our own experience, we shall contribute valuably." He studied the work of earlier artists in order to paint his contemporary world in a more articulate way. Even the most ordinary urban scene, such as the one displayed here, was given eloquence through an understanding of form, color, and composition. Marsh was a prolific sketcher, and carried handmade pads of paper in his pockets on his many forays into the neighborhoods that he grew to know so well. His work is securely placed within the long tradition of genre painting, the timeless art of everyday life.

Catalogue essays

Artist/designers
Marsh, Reginald (American, 1898-1954)

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

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Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Louise C. Murdock
From 1956: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from Frank K.M. Rehn Inc., New York [1] 

[1]  The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
Reginald Marsh painted the American scene as well as any artist between the two World Wars. His paintings and drawings of New York City life are unforgettable records of the period. His approach to his art was straightforward; "I believe that if we follow the great masters and paint from our own experience, we shall contribute valuably." Even ordinary urban scenes were given eloquence through an understanding of form, color, and composition. Marsh was a prolific sketcher and carried handmade pads of paper in his pockets on his many forays into the neighborhoods of New York City. His work is securely placed within the long tradition of genre painting, the timeless art of everyday life.

Adapted from
DMA unpublished material

Fun Facts

Archival Resources

Web Resources
 
Notes
Created in 1940

Object File Reviewed

On a piece of paper with no author, date, etc. Seems like it was written for 1979.11, but could work for this as well.: 
Reginald Marsh painted the American scene as well as any artist between the two World Wars. He reached artistic maturity in the 1930s, at a time when the nation was undergoing a severe economic depression. His paintings and drawings of New York City life are unforgettable records of the period. His approach to his art was straightforward; "I believe that if we follow the great masters and paint from our own experience, we shall contribute valuably." He studied the work of earlier artists in order to paint his contemporary world in a more articulate way. Even the most ordinary urban scene, such as the one displayed here, was given eloquence through an understanding of form, color, and composition. Marsh was a prolific sketcher, and carried handmade pads of paper in his pockets on his many forays into the neighborhoods that he grew to know so well. His work is securely placed within the long tradition of genre painting, the timeless art of everyday life.

Catalogue essays

Artist/designers
Marsh, Reginald (American, 1898-1954)

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Louise C. Murdock
From 1956: Dallas Museum of Fine Arts, Dallas Art Association Purchase, purchased from Frank K.M. Rehn Inc., New York [1] 

[1]  The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1956.102
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
hairstyles: AAT: 300262903
%Archived
men: AAT: 300025928
bracelets (jewelry): AAT: 300045991
*American Art
@Russell
hats (headgear): AAT: 300046106
wings (animal components): AAT: 300375053
columns (architectural components): AAT: 300001571
flowers (plants): AAT: 300132399
shoes (footwear): AAT: 300046065
dresses (garments): AAT: 300046159
New York (New York/United States): TGN: 7007567
Art Students' League: ULAN: 500303709
signs (declaratory or advertising artifacts): AAT: 300123013
signage: AAT: 300193977
watercolor (paint): AAT: 300015045
coats (garments): AAT: 300046143
gloves (handwear): AAT: 300148821
canes (walking sticks): AAT: 300224230
watercolors (paintings): AAT: 300078925
Marsh_Reginald: ULAN: 500016727
purses (ladies' accessories): AAT: 300046219
watercolor painting (technique): AAT: 300389895
top hats: AAT: 300046113
airplane: AAT: 300212616
fur (hair material): AAT: 300011811
bus stops: AAT: 300003837
source file
object_notes_3_a-0461.xml.nores