GENERAL DESCRIPTION
This lokapala (heavenly guardian) sculpture consists only of the head from a full-length wooden guardian figure designed to be placed by the entrance to a shrine or temple. The powerfully muscular face has affinities with early Japanese dance masks and is carved in linear patterns which articulate the head as an image of benevolent ferocity. Another example of the use of ferocious imagery as a form of protection occurs in the Dallas Museum of Art's Tang dynasty lokapala [1987.360.1.McD and 1987.360.2.McD].
Adapted from
- Anne Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45.
- Label text, 2018.
NOTES
Catalogue essays
Artist/designers
Cultures
Shingon: AAT: 300022004
Geography
Japan (nation): TGN: 1000120
Process/materials
sculpture: AAT: 300047090
wood (plant material): AAT: 300011914
Historical periods
Late Heian: AAT: 300106598
Individuals
Subject terms
apotropaic: DMA
Buddhism : AAT: 300073738
protection: AAT: 300164923
RELATED OBJECTS
PROVENANCE
1981: Colnaghi Oriental, London
1982: Dallas Museum of Fine Arts, gift of the Eugene and Margaret McDermott Art Fund, purchase from above. [1]
The main source for this provenance is the letter from Suzanne Davis of Colnaghi Oriental to Steven Nash of the Dallas Museum of Fine Arts, dated March 5, 1982, copy in Dallas Museum of Art collection records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Encyclopedia Britannica~Learn more about lokapala and their role in Buddhism.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 1982.8.McD
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General Description
This lokapala (heavenly guardian) sculpture consists only of the head from a full-length wooden guardian figure designed to be placed by the entrance to a shrine or temple. The powerfully muscular face has affinities with early Japanese dance masks and is carved in linear patterns which articulate the head as an image of benevolent ferocity. Another example of the use of ferocious imagery as a form of protection occurs in the Dallas Museum of Art's Tang dynasty lokapala [1987.360.1.McD and 1987.360.2.McD].
Adapted from
- Anne Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45.
- Label text, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Shingon: AAT: 300022004
Geography
Japan (nation): TGN: 1000120
Process/materials
sculpture: AAT: 300047090
wood (plant material): AAT: 300011914
Historical periods
Late Heian: AAT: 300106598
Individuals
Subject terms
apotropaic: DMA
Buddhism : AAT: 300073738
protection: AAT: 300164923
RELATED OBJECTS
PROVENANCE
1981: Colnaghi Oriental, London
1982: Dallas Museum of Fine Arts, gift of the Eugene and Margaret McDermott Art Fund, purchase from above. [1]
The main source for this provenance is the letter from Suzanne Davis of Colnaghi Oriental to Steven Nash of the Dallas Museum of Fine Arts, dated March 5, 1982, copy in Dallas Museum of Art collection records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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VIDEO ASSETS
rules
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Objects
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1982.8.McD
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object_notes_3_a-0359.xml.nores