1982.8.McD Head of a Heavenly King (Lokapala)


GENERAL DESCRIPTION  
This lokapala (heavenly guardian) sculpture consists only of the head from a full-length wooden guardian figure designed to be placed by the entrance to a shrine or temple. The powerfully muscular face has affinities with early Japanese dance masks and is carved in linear patterns which articulate the  head as an image of benevolent ferocity. Another example of the use of ferocious imagery as a form of protection occurs in the Dallas Museum of Art's Tang dynasty lokapala [1987.360.1.McD and 1987.360.2.McD]. 

Adapted from
  • Anne Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45. 
  • Label text, 2018. 

NOTES

Catalogue essays

Artist/designers

Cultures
Shingon: AAT: 300022004

Geography 
Japan (nation): TGN: 1000120

Process/materials
sculpture: AAT: 300047090
wood (plant material): AAT: 300011914

Historical periods
Late Heian: AAT: 300106598

Individuals

Subject terms
apotropaic: DMA
Buddhism : AAT: 300073738
protection: AAT: 300164923

RELATED OBJECTS 

PROVENANCE 
1981: Colnaghi Oriental, London

1982: Dallas Museum of Fine Arts, gift of the Eugene and Margaret McDermott Art Fund, purchase from above. [1]

The main source for this provenance is the letter from Suzanne Davis of Colnaghi Oriental to Steven Nash of the Dallas Museum of Fine Arts, dated March 5, 1982, copy in Dallas Museum of Art collection records object file. Exceptions and supporting documentation are noted. 

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
This lokapala (heavenly guardian) sculpture consists only of the head from a full-length wooden guardian figure designed to be placed by the entrance to a shrine or temple. The powerfully muscular face has affinities with early Japanese dance masks and is carved in linear patterns which articulate the  head as an image of benevolent ferocity. Another example of the use of ferocious imagery as a form of protection occurs in the Dallas Museum of Art's Tang dynasty lokapala [1987.360.1.McD and 1987.360.2.McD]. 

Adapted from
  • Anne Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45. 
  • Label text, 2018. 

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures
Shingon: AAT: 300022004

Geography 
Japan (nation): TGN: 1000120

Process/materials
sculpture: AAT: 300047090
wood (plant material): AAT: 300011914

Historical periods
Late Heian: AAT: 300106598

Individuals

Subject terms
apotropaic: DMA
Buddhism : AAT: 300073738
protection: AAT: 300164923

RELATED OBJECTS 

PROVENANCE 
1981: Colnaghi Oriental, London

1982: Dallas Museum of Fine Arts, gift of the Eugene and Margaret McDermott Art Fund, purchase from above. [1]

The main source for this provenance is the letter from Suzanne Davis of Colnaghi Oriental to Steven Nash of the Dallas Museum of Fine Arts, dated March 5, 1982, copy in Dallas Museum of Art collection records object file. Exceptions and supporting documentation are noted. 

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

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Apply To
Objects
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1982.8.McD
tags
#draft
#completed
%copyedited_Gail
sculpture: AAT: 300047090
%Archived
*Arts of Asia
@Courtney
wood (plant material): AAT: 300011914
apotropaic: DMA
protection: AAT: 300164923
Japan (nation): TGN: 1000120
Late Heian: AAT: 300106598
Buddhism : AAT: 300073738
Shingon: AAT: 300022004
source file
object_notes_3_a-0359.xml.nores