1981.139.FA Drum


GENERAL DESCRIPTION  
The Senufo used tall drums supported on four bent legs not only as musical instruments but also as a means of communication, much like a public address system. The rhythms played on drums provided a soundtrack for many activities in Senufo villages. They were played when young men prepared the fields for planting, at boys' and girls' coming-of-age rites, and at the funerals of important elders. Female drummers accompanied other women as they sang songs in a secret language to deal with gender conflicts and other frustrations.

The carved imagery on this drum includes a kpeliye face mask of a men's secret society and a python flanked by birds—message carriers to and from the spirit world. A giant lizard or crocodile symbolizes destructive forces; the turtle references water and the Creation, and the shackles refer to ancestral Senufo villagers taken captive during the Islamic jihads of the 19th century. Horns containing potent medicines to heal the body and spirit are depicted around the drum. The highly stylized human legs refer to the human support required during ceremonial usage. 

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 176-177.

NOTES

Catalogue essays

Artist/designers

Cultures

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RELATED OBJECTS 

PROVENANCE 
1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

AUDIO ASSETS 
A Senufo Drum and the Birth of the Blues, Gallery Talk by Roslyn Walker, UMO: 13317557

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1981.139.FA

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General Description
 
The Senufo used tall drums supported on four bent legs not only as musical instruments but also as a means of communication, much like a public address system. The rhythms played on drums provided a soundtrack for many activities in Senufo villages. They were played when young men prepared the fields for planting, at boys' and girls' coming-of-age rites, and at the funerals of important elders. Female drummers accompanied other women as they sang songs in a secret language to deal with gender conflicts and other frustrations.

The carved imagery on this drum includes a kpeliye face mask of a men's secret society and a python flanked by birds—message carriers to and from the spirit world. A giant lizard or crocodile symbolizes destructive forces; the turtle references water and the Creation, and the shackles refer to ancestral Senufo villagers taken captive during the Islamic jihads of the 19th century. Horns containing potent medicines to heal the body and spirit are depicted around the drum. The highly stylized human legs refer to the human support required during ceremonial usage. 

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 176-177.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

AUDIO ASSETS 
A Senufo Drum and the Birth of the Blues, Gallery Talk by Roslyn Walker, UMO: 13317557

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1981.139.FA
tags
birds (animals): AAT: 300266506
hide (collagenous material / large animal skins): AAT: 300011844
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
%copyedited_Gail
%Archived
birds (motifs): AAT: 300375751
carving (processes): AAT: 300053149
.TeachingIdeas
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
sound (acoustics): AAT: 300056060
serpents (snakes/Serpentes suborder): AAT: 300250870
musical instruments: AAT: 300041620
drums (membranophones): AAT: 300041729
legs (furniture components): AAT: 300162380
Senufo: AAT: 300015867
turtles (animals): AAT: 300310264
face masks: AAT: 300262834
Côte d'Ivoire (nation): TGN: 1000168
crocodile (animals/crocodylidae family): AAT: 300250293
shackles: AAT: 300247514
13317557: UMO
source file
object_notes_3_a-0234.xml.nores