1950.22 Antoine Sébastian Plamondon, Abigail Towne


GENERAL DESCRIPTION  
After apprenticing with Joseph Legare, a Canadian history painter, Antoine Sébastian Plamondon was sent to Paris where he studied with a pupil of Jacques-Louis David. Returning to Canada, Plamondon quickly became the preeminent painter in Quebec, a position he jealously guarded throughout his long career. Abigail Towne combines the exactness of Plamondon's French training with the rigid pose and meticulous attention to details of costume that most of Plamondon's English Canadian sitters preferred.  Like many artists in the United States and Canada, Plamondon was forced to change his style in order to appeal to different clients, and his success in socially divided Quebec was due to his artistic adaptability.

Excerpt from
DMA unpublished material

NOTES
Created in 1840

Object File Reviewed

"After apprenticing with Joseph Legare, a Canadian history painter, Plamondon was sent to Paris where he studied with a pupil of Jacques-Louis David.  Returning to Canada, Plamondon quickly became the preeminent painter in Quebec, a position he jealously guarded throughout his long career.  "Abigail Towne" combines the exactness of Plamondon's French training with the rigid pose and meticulous attention to details of costume that most of Plamondon's English Canadian sitters preferred.  Like many artists in the United States and Canada, Plamondon was forced to change his style in order to appeal to different clients, and his success in socially divided Quebec was due to his artistic adaptability." Found in curatorial remarks. Was put there by Sarah Evans, no record of author.   JR

Catalogue essays

Artist/designers
Plamondon, Antoine Sébastian (Canadian painter, 1804-1895)

Cultures

Geography 
Place of origin: Canada (nation): TGN: 7005685

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1950: Mrs. R.F. Schimdt, Arlington, VA
From 1950: Dallas Museum of Fine Arts, Dallas Art Association Purchase [1]

[1] The Dallas Arts Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1950.22

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General Description
 
After apprenticing with Joseph Legare, a Canadian history painter, Antoine Sébastian Plamondon was sent to Paris where he studied with a pupil of Jacques-Louis David. Returning to Canada, Plamondon quickly became the preeminent painter in Quebec, a position he jealously guarded throughout his long career. Abigail Towne combines the exactness of Plamondon's French training with the rigid pose and meticulous attention to details of costume that most of Plamondon's English Canadian sitters preferred.  Like many artists in the United States and Canada, Plamondon was forced to change his style in order to appeal to different clients, and his success in socially divided Quebec was due to his artistic adaptability.

Excerpt from
DMA unpublished material

Fun Facts

Archival Resources

Web Resources
 
Notes
Created in 1840

Object File Reviewed

"After apprenticing with Joseph Legare, a Canadian history painter, Plamondon was sent to Paris where he studied with a pupil of Jacques-Louis David.  Returning to Canada, Plamondon quickly became the preeminent painter in Quebec, a position he jealously guarded throughout his long career.  "Abigail Towne" combines the exactness of Plamondon's French training with the rigid pose and meticulous attention to details of costume that most of Plamondon's English Canadian sitters preferred.  Like many artists in the United States and Canada, Plamondon was forced to change his style in order to appeal to different clients, and his success in socially divided Quebec was due to his artistic adaptability." Found in curatorial remarks. Was put there by Sarah Evans, no record of author.   JR

Catalogue essays

Artist/designers
Plamondon, Antoine Sébastian (Canadian painter, 1804-1895)

Cultures

Geography 
Place of origin: Canada (nation): TGN: 7005685

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1950: Mrs. R.F. Schimdt, Arlington, VA
From 1950: Dallas Museum of Fine Arts, Dallas Art Association Purchase [1]

[1] The Dallas Arts Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1950.22
tags
Canada (nation): TGN: 7005685
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
necklaces: AAT: 300046001
hairstyles: AAT: 300262903
%Archived
sitting (seated): AAT: 300263970
oil paint: AAT: 300015050
*American Art
@Russell
#routed
hands (animal or human components): AAT: 300310193
mouths (animal or human components): DMA
flowers (plants): AAT: 300132399
orange (color): AAT: 300126734
dresses (garments): AAT: 300046159
black (color): AAT: 300130920
collars (neckwear): AAT: 300210058
bows (costume accessories): AAT: 300411698
portrait: AAT: 300015637
chairs (furniture): AAT: 300037772
eyes (animal or human components): AAT: 300400484
noses (animal or human components): DMA
lace (needlework): AAT: 300132861
bonnets (hats): AAT: 300210720
Dallas Art Association: DMA
rings (object genres): AAT: 300263678
plaid (pattern): AAT: 300411863
Plamondon_Antoine Sebastien: ULAN: 500027327
source file
object_notes_3_a-0079.xml.nores