1994.44 Buckle


GENERAL DESCRIPTION  
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this buckle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century.

While enamel work is often visible when worn, in many cases the enamel work is on the back and is not generally visible. The buckle is representative of this, for while there is some enamel work on the front, it is the buckle's opposite side that bears fine enamel work with peacocks, birds, and delicate flowers in reds, greens, and blues on a white background. Ironically then some of the finest craftsmanship appears on the backs of some jewelry items, where only the owners might be aware of its quality. Yet in fact the gold, usually 22 karat and sometimes 24 karat, and the gemstones that embellish the piece, are considered more valuable than the fine enameling. The buckle's front is an example of this, for its dominant features are large, flat-cut diamonds inlaid into the blue enameled surface to form floral designs. This piece could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot. 

Adapted from
Catherine Asher, "Buckle,"  in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1970: Alta Brenner, Dallas, Texas

1994: Dallas Museum of Art, gift of Alta Brenner

The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1994.44







Category
rules_operator
AND
General Description
 
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this buckle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century.

While enamel work is often visible when worn, in many cases the enamel work is on the back and is not generally visible. The buckle is representative of this, for while there is some enamel work on the front, it is the buckle's opposite side that bears fine enamel work with peacocks, birds, and delicate flowers in reds, greens, and blues on a white background. Ironically then some of the finest craftsmanship appears on the backs of some jewelry items, where only the owners might be aware of its quality. Yet in fact the gold, usually 22 karat and sometimes 24 karat, and the gemstones that embellish the piece, are considered more valuable than the fine enameling. The buckle's front is an example of this, for its dominant features are large, flat-cut diamonds inlaid into the blue enameled surface to form floral designs. This piece could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot. 

Adapted from
Catherine Asher, "Buckle,"  in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1970: Alta Brenner, Dallas, Texas

1994: Dallas Museum of Art, gift of Alta Brenner

The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1994.44
tags
#draft
#completed
%copyedited_Gail
%Archived
green (color): AAT: 300128438
@Bilal-Gore
*Arts of Asia
white (color): AAT: 300129784
blue (color): AAT: 300129361
red (color): AAT: 300126225
gold (metal): AAT: 300011021
goldsmithing: AAT: 300054048
India (nation): TGN: 7000198
enamel (fused coating): AAT: 300014910
cloisonné: AAT: 300053778
peacocks (birds/animals/pavo genus): AAT: 300250082
Jaipur: TGN: 7001544
diamond (mineral): AAT: 300011084
buckles (strap accessories): AAT: 300239260
source file
object_notes_3_a-0009.xml.nores