1984.49.48.FA Berenice Abbott, City Arabesque


GENERAL DESCRIPTION  
The following is the caption by Elizabeth McCausland accompanying the original 1939 edition of Berenice Abbott's Changing New York publication.

"Northeast from the roof of Sixty Wall Tower the financial district spreads out in an arabesque. In the extreme upper left corner is to be seen City Hall Park, while the "El" winds in and out of view along the right-hand edge. The 1562.5-foot Manhattan approach of Brooklyn Bridge may also be seen cutting sharply across the upper right-hand corner, and the beginnings of the Lower East Side appear beyond the bridge."

Excerpt from
Elizabeth McCausland, caption for “City Arabesque,” in New York in the Thirties [former titled: Changing New York], (New York: Dover Publications, Inc., 1973; New York: E.P. Dutton & Company, Inc.,1939), plate 21 (np).    

NOTES
1938, print 1983
2/40

Description: From 60 Wall Tower at 70 Pine Street, June 9, 1938

Fun Fact Source: P. 37 “Unlike her friend Margaret Bourke-White, Abbott hated heights and had to force herself to lean out of skyscraper windows to photograph from above.”  Berenice Abbott Changing New York

Catalogue essays

Artist/designers

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Photography

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.  

AUDIO ASSETS 

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Berenice Abbott was scared of heights, so it was difficult for her to take photographs from tall buildings in her Changing New York series.

TEACHING IDEAS

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Apply to objects where number equals 1984.49.48.FA

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General Description
 
The following is the caption by Elizabeth McCausland accompanying the original 1939 edition of Berenice Abbott's Changing New York publication.

"Northeast from the roof of Sixty Wall Tower the financial district spreads out in an arabesque. In the extreme upper left corner is to be seen City Hall Park, while the "El" winds in and out of view along the right-hand edge. The 1562.5-foot Manhattan approach of Brooklyn Bridge may also be seen cutting sharply across the upper right-hand corner, and the beginnings of the Lower East Side appear beyond the bridge."

Excerpt from
Elizabeth McCausland, caption for “City Arabesque,” in New York in the Thirties [former titled: Changing New York], (New York: Dover Publications, Inc., 1973; New York: E.P. Dutton & Company, Inc.,1939), plate 21 (np).    

Fun Facts
  • Berenice Abbott was scared of heights, so it was difficult for her to take photographs from tall buildings in her Changing New York series.

Archival Resources

Web Resources
 
Notes
1938, print 1983
2/40

Description: From 60 Wall Tower at 70 Pine Street, June 9, 1938

Fun Fact Source: P. 37 “Unlike her friend Margaret Bourke-White, Abbott hated heights and had to force herself to lean out of skyscraper windows to photograph from above.”  Berenice Abbott Changing New York

Catalogue essays

Artist/designers

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Photography

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.  

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1984.49.48.FA
tags
#draft
#completed
%copyedited_Gail
%Archived
*American Art
@Russell
windows: AAT: 300002944
#routed
foreground: AAT: 300056367
shadows: AAT: 300056036
New York (New York/United States): TGN: 7007567
black (color): AAT: 300130920
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
gelatin silver process: AAT: 300139114
gelatin silver prints: AAT: 300128695
Abbott_Berenice: ULAN: 500020631
automobiles: AAT: 300178739
cities: AAT: 300008389
cityscapes (representations): AAT: 300015571
buildings (structures): AAT: 300004792
black-and-white photographs: AAT: 300128347
black-and-white (colors): AAT: 300265434
Works Progress Administration: ULAN: 500227524
arabesques: AAT: 300010206
roofs: AAT: 300002098
source file
object_notes_2_d-0585.xml.nores