1981.173 Doll (akua'ba)


GENERAL DESCRIPTION  
Akua'ma (sing. akua'ba) are highly stylized sculptures that depict the perfect Asante baby, which has a flattened forehead like those of royal infants, the creased neck of well-nourished babies, and lustrous black skin. A barren woman secured an akua'ba to her back in the hope that she would conceive. After delivering her baby, the mother gave the surrogate infant to her daughter to play with or she returned it to a priest to enshrine.

The sculpture got its name from Akua, a woman who, according to Asante oral tradition, was barren but desperately wanted children. A priest advised her to commission a sculpture to represent an infant (an akua'ba, "Akua's child") and care for it as if it were alive. Her success in this effort encourage other barren women to emulate her.

Akua'ma rarely depict male infants because inheritance in the matrilineal Asante society passes from mother to daughter.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES

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PROVENANCE 
1969: Mathias Komor

n.d.: Hawley Collection, Cleveland, Ohio, purchased from above [1]

1981: Dallas Museum of Fine Arts, gift from above [2], [3]

[1] See the document 'Census of Cleveland Private Collections' in the Collections Records object file. 

[2] See the document 'Collection: Dallas Museum of Fine Arts' in the Collections Records object file.

[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
Akua'ma (sing. akua'ba) are highly stylized sculptures that depict the perfect Asante baby, which has a flattened forehead like those of royal infants, the creased neck of well-nourished babies, and lustrous black skin. A barren woman secured an akua'ba to her back in the hope that she would conceive. After delivering her baby, the mother gave the surrogate infant to her daughter to play with or she returned it to a priest to enshrine.

The sculpture got its name from Akua, a woman who, according to Asante oral tradition, was barren but desperately wanted children. A priest advised her to commission a sculpture to represent an infant (an akua'ba, "Akua's child") and care for it as if it were alive. Her success in this effort encourage other barren women to emulate her.

Akua'ma rarely depict male infants because inheritance in the matrilineal Asante society passes from mother to daughter.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1969: Mathias Komor

n.d.: Hawley Collection, Cleveland, Ohio, purchased from above [1]

1981: Dallas Museum of Fine Arts, gift from above [2], [3]

[1] See the document 'Census of Cleveland Private Collections' in the Collections Records object file. 

[2] See the document 'Collection: Dallas Museum of Fine Arts' in the Collections Records object file.

[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

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number
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1981.173
tags
#draft
#completed
%copyedited_Gail
fertility: AAT: 300379149
sculpture: AAT: 300047090
%Archived
.TeachingIdeas
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
daughters: AAT: 300154348
infants (children): AAT: 300189561
fiber: AAT: 300014024
Asante: AAT: 300016004
Ghana (nation): TGN: 1000166
bluing: AAT: 300263384
source file
object_notes_2_d-0569.xml.nores