1995.79 Scepter


GENERAL DESCRIPTION  
Scepters have been part of a universal vocabulary of court regalia since ancient times in many parts of the world. In the Indian subcontinent, scepters, fly whisks, and standards were essential components of courtly ceremonies. They predominate in paintings and sculptures of courtly scenes, indicating their role in imparting to the nobility and visitors alike the status of the enthroned ruler. Yet few such objects are extant, making this one especially valuable. This scepter consists of a wooden core that is covered with finely hammered silver. The spiral bands of the handle enhance the sense of length, while the finial takes the form of a mythic animal known as a makara, in India long associated with fertility and natural abundance. 

The style of the finial with its bulbous eyes, layered mane, sharply articulated snout, and bared teeth suggests that the scepter originates somewhere in the Deccan—a plateau that falls between the Narmada and Krishna rivers of south India—or perhaps even farther to the south. The scepter was probably made sometime between the late 18th and early 19th centuries during a period when both Hindu and Muslim courts ruled throughout this terrain. While graced with a traditional Indic makara, the presence of this particular motif on the finial does not indicate that this piece of princely regalia was made for any specific court, since the makara and other ancient Indic forms had long been incorporated into many aspects of Indian culture and were embraced by Hindu and Muslim kings alike. 

Adapted from
  • Catherine B. Asher, "Scepter," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 117. 

NOTES

Catalogue essays

Artist/designers

Cultures
Mughal: AAT: 300018939

Geography 
Deccan (plateau): AAT: 7551828
India (nation): TGN: 7000198

Process/materials
chasing (metalworking): AAT: 300054016
silver (metal): AAT: 300011029
wood (plant material): AAT: 300011914

Historical periods
eighteenth century: AAT: 300404512
nineteenth century (dates CE): AAT: 300404513

Individuals

Subject terms
ceremonial objects: AAT: 300234117
courts (social groups): AAT: 300236519
creatures: AAT: 300379697
Hinduism: AAT: 300073727
hybridity: AAT: 300262022
Islam: AAT: 300073715
makara: AAT: 300263744
Mughal: AAT: 300018939
mythical or legendary beings: AAT: 300375725
prestige: AAT: 300343604
scepters: AAT: 300214161
wealth: AAT: 300055767

RELATED OBJECTS 

PROVENANCE 
1995: Dallas Museum of Art, gift of David T. Owsley through the Alconda-Owsley Foundation, purchased at auction, "Indian and Southeast Asian Art," Sotheby's, New York, March 23, 1995, lot 340, as "An Indian Silver Overlaid Wood Scepter" 

The main source for this provenance is the memorandum from Kim Bush of the Dallas Museum of Art, to Karen Zelanka and Carmen Smith of the Dallas Museum of Art, dated March 24, 1995, copy in Dallas Museum of Art Collections Records object file.  

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • In addition to holding many scepters such as this one, an assembly of nobles would have been all elaborately dressed in fine cotton or silk textiles to further enhance the impression of wealth and power, inducing a sense of awe in the beholder. 

TEACHING IDEAS

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Apply to objects where number equals 1995.79

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General Description
 
Scepters have been part of a universal vocabulary of court regalia since ancient times in many parts of the world. In the Indian subcontinent, scepters, fly whisks, and standards were essential components of courtly ceremonies. They predominate in paintings and sculptures of courtly scenes, indicating their role in imparting to the nobility and visitors alike the status of the enthroned ruler. Yet few such objects are extant, making this one especially valuable. This scepter consists of a wooden core that is covered with finely hammered silver. The spiral bands of the handle enhance the sense of length, while the finial takes the form of a mythic animal known as a makara, in India long associated with fertility and natural abundance. 

The style of the finial with its bulbous eyes, layered mane, sharply articulated snout, and bared teeth suggests that the scepter originates somewhere in the Deccan—a plateau that falls between the Narmada and Krishna rivers of south India—or perhaps even farther to the south. The scepter was probably made sometime between the late 18th and early 19th centuries during a period when both Hindu and Muslim courts ruled throughout this terrain. While graced with a traditional Indic makara, the presence of this particular motif on the finial does not indicate that this piece of princely regalia was made for any specific court, since the makara and other ancient Indic forms had long been incorporated into many aspects of Indian culture and were embraced by Hindu and Muslim kings alike. 

Adapted from
  • Catherine B. Asher, "Scepter," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 117. 

Fun Facts
  • In addition to holding many scepters such as this one, an assembly of nobles would have been all elaborately dressed in fine cotton or silk textiles to further enhance the impression of wealth and power, inducing a sense of awe in the beholder. 

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures
Mughal: AAT: 300018939

Geography 
Deccan (plateau): AAT: 7551828
India (nation): TGN: 7000198

Process/materials
chasing (metalworking): AAT: 300054016
silver (metal): AAT: 300011029
wood (plant material): AAT: 300011914

Historical periods
eighteenth century: AAT: 300404512
nineteenth century (dates CE): AAT: 300404513

Individuals

Subject terms
ceremonial objects: AAT: 300234117
courts (social groups): AAT: 300236519
creatures: AAT: 300379697
Hinduism: AAT: 300073727
hybridity: AAT: 300262022
Islam: AAT: 300073715
makara: AAT: 300263744
Mughal: AAT: 300018939
mythical or legendary beings: AAT: 300375725
prestige: AAT: 300343604
scepters: AAT: 300214161
wealth: AAT: 300055767

RELATED OBJECTS 

PROVENANCE 
1995: Dallas Museum of Art, gift of David T. Owsley through the Alconda-Owsley Foundation, purchased at auction, "Indian and Southeast Asian Art," Sotheby's, New York, March 23, 1995, lot 340, as "An Indian Silver Overlaid Wood Scepter" 

The main source for this provenance is the memorandum from Kim Bush of the Dallas Museum of Art, to Karen Zelanka and Carmen Smith of the Dallas Museum of Art, dated March 24, 1995, copy in Dallas Museum of Art Collections Records object file.  

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1995.79
tags
#draft
#completed
%copyedited_Gail
%Archived
ceremonial objects: AAT: 300234117
mythical or legendary beings: AAT: 300375725
*Arts of Asia
@Courtney
wood (plant material): AAT: 300011914
#routed
nineteenth century (dates CE): AAT: 300404513
wealth: AAT: 300055767
chasing (metalworking): AAT: 300054016
prestige: AAT: 300343604
silver (metal): AAT: 300011029
creatures: AAT: 300379697
India (nation): TGN: 7000198
Islam: AAT: 300073715
scepters: AAT: 300214161
eighteenth century: AAT: 300404512
hybridity: AAT: 300262022
courts (social groups): AAT: 300236519
Hinduism: AAT: 300073727
Mughal: AAT: 300018939
Deccan (plateau): AAT: 7551828
makara: AAT: 300263744
source file
object_notes_2_d-0518.xml.nores