GENERAL DESCRIPTION
The long, flowing form of this robe and its vast sleeves are typical of prestigious boubous worn by high-ranking Muslim and non-Muslim men throughout West Africa; however, the rectangular neckline, indigo-dyed cotton fabric, and elaborate embroidered designs mark it as a boubou lomasa, distinctive to the Soninke peoples of Mali. The unfolding spiral across the chest embroidered with brightly colored silk thread, two spirals on the back, and a dense braid-like center are specific to this type. Minuscule holes surrounded by and stabilized by tiny stitches occur at the perimeter of the design areas, where they provide visual transition between the bold embroidered shapes and the plain background.
Adapted from
- Roslyn A. Walker, Add To, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
- Carol Griffin, DMA unpublished material, 2009.
NOTES
Catalogue essays
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PROVENANCE
Before World War II: Collected in Cairo by Bishop Stephen Vernon
n.d.: Sheila Payne Collection, UK
2009: Dallas Museum of Art, purchased from Jonathan Hope, London [1]
The main source for this provenance is the Acquisition Proposal in the Collections Records object file.
[1] See the copy of the invoice dated December 15, 2009 in the Collections Records object file.
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WEB RESOURCES
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about Islam and Islamic arts in Africa.
- University of Iowa Museum of Art, Art & Life in Africa~Read about textiles in Mali.
- University of Iowa Museum of Art, Art & Life in Africa~Read an essay about dress in African cultures.
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about African textiles.
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Apply to objects where number equals 2009.46
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General Description
The long, flowing form of this robe and its vast sleeves are typical of prestigious boubous worn by high-ranking Muslim and non-Muslim men throughout West Africa; however, the rectangular neckline, indigo-dyed cotton fabric, and elaborate embroidered designs mark it as a boubou lomasa, distinctive to the Soninke peoples of Mali. The unfolding spiral across the chest embroidered with brightly colored silk thread, two spirals on the back, and a dense braid-like center are specific to this type. Minuscule holes surrounded by and stabilized by tiny stitches occur at the perimeter of the design areas, where they provide visual transition between the bold embroidered shapes and the plain background.
Adapted from
- Roslyn A. Walker, Add To, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
- Carol Griffin, DMA unpublished material, 2009.
Fun Facts
Archival Resources
Web Resources
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about Islam and Islamic arts in Africa.
- University of Iowa Museum of Art, Art & Life in Africa~Read about textiles in Mali.
- University of Iowa Museum of Art, Art & Life in Africa~Read an essay about dress in African cultures.
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about African textiles.
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before World War II: Collected in Cairo by Bishop Stephen Vernon
n.d.: Sheila Payne Collection, UK
2009: Dallas Museum of Art, purchased from Jonathan Hope, London [1]
The main source for this provenance is the Acquisition Proposal in the Collections Records object file.
[1] See the copy of the invoice dated December 15, 2009 in the Collections Records object file.
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VIDEO ASSETS
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2009.46
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