2010.11.1, Marlo Pascual, Untitled, 2009


GENERAL DESCRIPTION  
Taking found photographic negatives and film as a point of departure, Marlo Pascual creates photo-based sculptures, installations, and images by employing strategies of appropriation that simultaneously reflect a sophisticated understanding of art history. Pascual culls her vintage pictures from eBay and thrift stores; some come from amateur photography clubs where the photographers attempted to create “artistic” photos. Filtering through still lifes, interiors, furniture, portraits, headshots, nudes, and pin-ups, Pascual enlarges, crops, and restages the images using minimalist objects, props, and lighting to form new relationships. Subjects are removed from their previous context and recast in new roles.

Adapted from
Jeffrey Grove, DMA unpublished material, 2010.

NOTES
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2010: Casey Kaplan, Inc., New York, NY

From 2010: Dallas Museum of Art, purchased from above [1]

[1] See check #14283 in Collections Records Object File 14283

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2010.11.1

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General Description
 
Taking found photographic negatives and film as a point of departure, Marlo Pascual creates photo-based sculptures, installations, and images by employing strategies of appropriation that simultaneously reflect a sophisticated understanding of art history. Pascual culls her vintage pictures from eBay and thrift stores; some come from amateur photography clubs where the photographers attempted to create “artistic” photos. Filtering through still lifes, interiors, furniture, portraits, headshots, nudes, and pin-ups, Pascual enlarges, crops, and restages the images using minimalist objects, props, and lighting to form new relationships. Subjects are removed from their previous context and recast in new roles.

Adapted from
Jeffrey Grove, DMA unpublished material, 2010.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2010: Casey Kaplan, Inc., New York, NY

From 2010: Dallas Museum of Art, purchased from above [1]

[1] See check #14283 in Collections Records Object File 14283

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2010.11.1
tags
#draft
#completed
%copyedited_Gail
@Bowling
*Contemporary Art
hands (animal or human components): AAT: 300310193
black-and-white photographs: AAT: 300128347
%NotArchived
found objects: AAT: 300047210
appropriation (imagery): AAT: 300180375
art history (arts-related disciplines): AAT: 300054233
fragments (object portions): AAT: 300117130
Pasual_Marlo: DMA
source file
object_notes_2_d-0457.xml.nores