2009.42.1, Judy Linn, Legs, 2002


GENERAL DESCRIPTION  
For nearly four decades the American photographer Judy Linn has documented her impressions of everyday life. Best known for her portraits of Patti Smith and Robert Mapplethorpe, her work also features less recognizable subjects, namely moments in our daily routines that are easily and often overlooked. Generally limited to gray tones, Linn's works are marked by a directness and compositional clarity. This expert command of the camera is in large part due to Linn's extensive experience with the medium, and to the influences of Alfred Stieglitz and Robert Frank, and of Helen Levitt, with whom she worked alongside in the 1980s.

In Legs, we are presented with a restricted view of a person lying on the grass, with one pant leg pushed up above the knee and the other hanging loosely. Though a common sight, here the appearance of the one leg bare and one covered seems unbalanced, creating an unsettling sense of the body where its parts are removed from their original context.  

Adapted from
DMA unpublished material, 2009.

NOTES
DMA unpublished material=acquisition justification
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2009: Collection of the American Academy of Arts and Letters, New York, NY

From 2009: Dallas Museum of Art, gift of the above [1]

[1] See Deed of Gift in Collections Records Object File 2009.42.1

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WEB RESOURCES 

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FUN FACTS

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Apply to objects where number equals 2009.42.1

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General Description
 
For nearly four decades the American photographer Judy Linn has documented her impressions of everyday life. Best known for her portraits of Patti Smith and Robert Mapplethorpe, her work also features less recognizable subjects, namely moments in our daily routines that are easily and often overlooked. Generally limited to gray tones, Linn's works are marked by a directness and compositional clarity. This expert command of the camera is in large part due to Linn's extensive experience with the medium, and to the influences of Alfred Stieglitz and Robert Frank, and of Helen Levitt, with whom she worked alongside in the 1980s.

In Legs, we are presented with a restricted view of a person lying on the grass, with one pant leg pushed up above the knee and the other hanging loosely. Though a common sight, here the appearance of the one leg bare and one covered seems unbalanced, creating an unsettling sense of the body where its parts are removed from their original context.  

Adapted from
DMA unpublished material, 2009.

Fun Facts

Archival Resources

Web Resources
 

Notes
DMA unpublished material=acquisition justification
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2009: Collection of the American Academy of Arts and Letters, New York, NY

From 2009: Dallas Museum of Art, gift of the above [1]

[1] See Deed of Gift in Collections Records Object File 2009.42.1

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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2009.42.1
tags
#draft
#completed
%copyedited_Gail
@Bowling
legs (animal or human components): AAT: 300310192
%Archived
*Contemporary Art
trousers (pants / pantalón / pantalón rajado / main garments): AAT: 300209935
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
composition (artistic arrangement): AAT: 300056255
black-and-white photographs: AAT: 300128347
gray (color): AAT: 300130811
grasses (plants): AAT: 300132397
pairs: AAT: 300235505
fragments (object portions): AAT: 300117130
source file
object_notes_2_d-0372.xml.nores