GENERAL DESCRIPTION
The following is the caption by Elizabeth McCausland accompanying the original 1939 edition of Berenice Abbott's Changing New York publication.
Headquarters of James G. Blaine in the 1884 presidential campaign, the Murray Hill Hotel was one of the most magnificent examples of hotel architecture of the brown decades. The elegant iron spiral balconies came from the Daniel D. Badger works, but are probably the design of Oscar Luetke, connected with the firm at the time.
Excerpt from
Elizabeth McCausland, caption for “Murray Hill Hotel: Spiral,” in New York in the Thirties [former titled: Changing New York], (New York: Dover Publications, Inc., 1973; New York: E.P. Dutton & Company, Inc.,1939), plate 63 (np).
NOTES
1935, print 1983
2/40
Book calls it "Murray Hill Hotel: Spiral"
Description: 112 Park Avenue at East 40th Street, November 19, 1935
Catalogue essays
Artist/designers
Cultures
Geography
Depicted location and place of origin: New York (New York/United States): TGN: 7007567
Process/materials
Photography
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The New York Public Library Digital Collections~Explore the archive of images from Berenice Abbott's Changing New York project at the New York Public Library.
- Museum of the City of New York~Learn more about the artist and her work.
- National Museum of Women in the Arts~Read a brief biography of Berenice Abbott from NMWA.
- NYC LGBT Historic Sites Project~Check out the residence and studio of Berenice Abbott and her partner Elizabeth McCausland.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1984.49.36.FA
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General Description
The following is the caption by Elizabeth McCausland accompanying the original 1939 edition of Berenice Abbott's Changing New York publication.
Headquarters of James G. Blaine in the 1884 presidential campaign, the Murray Hill Hotel was one of the most magnificent examples of hotel architecture of the brown decades. The elegant iron spiral balconies came from the Daniel D. Badger works, but are probably the design of Oscar Luetke, connected with the firm at the time.
Excerpt from
Elizabeth McCausland, caption for “Murray Hill Hotel: Spiral,” in New York in the Thirties [former titled: Changing New York], (New York: Dover Publications, Inc., 1973; New York: E.P. Dutton & Company, Inc.,1939), plate 63 (np).
Fun Facts
Archival Resources
Web Resources
- The New York Public Library Digital Collections~Explore the archive of images from Berenice Abbott's Changing New York project at the New York Public Library.
- Museum of the City of New York~Learn more about the artist and her work.
- National Museum of Women in the Arts~Read a brief biography of Berenice Abbott from NMWA.
- NYC LGBT Historic Sites Project~Check out the residence and studio of Berenice Abbott and her partner Elizabeth McCausland.
Notes
1935, print 1983
2/40
Book calls it "Murray Hill Hotel: Spiral"
Description: 112 Park Avenue at East 40th Street, November 19, 1935
Catalogue essays
Artist/designers
Cultures
Geography
Depicted location and place of origin: New York (New York/United States): TGN: 7007567
Process/materials
Photography
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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VIDEO ASSETS
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1984.49.36.FA
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object_notes_2_d-0364.xml.nores