1940.1 William Blake, When the Almighty was yet with me, When my Children were about me


GENERAL DESCRIPTION  
In his series The Book of Job, William Blake adopted the style of medieval illuminated manuscripts, evident in the decorative border filled with pointed arches and emblematic imagery. Here, Job and his wife stand at the bottom corners in a pastoral scene symbolic of their past innocence. On either side, Gothic decorations weave and stretch organically across the page, with peacocks of pride and the parrot of vain repetitions residing on architectural bands. At the top, a cathedral-like tympanum is carved with biblical text and “King Jehovah” written in Hebrew. Blake juxtaposes the image with his own biblical commentary, engaging the reader in the artist’s personal theological interpretation. The primary theme of this Old Testament subject focuses on God’s justice in the face of human suffering, demonstrated through the main character, Job. He is shown in the central panel surrounded by his family, directly imitating the throne of God above Job.

Excerpt from
Nicole Myers, DMA label copy, 2018.

NOTES
Created in 1825

Checked Piction

2nd state

Catalogue essays

Artist/designers
Blake, William (British, 1757-1827)

Cultures

Geography 
Place of origin: London (England): TGN: 7011781

Process/materials
Engraving on paper

Historical periods

Individuals

Subject terms

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FUN FACTS

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Apply to objects where number equals 1940.1

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General Description
 
In his series The Book of Job, William Blake adopted the style of medieval illuminated manuscripts, evident in the decorative border filled with pointed arches and emblematic imagery. Here, Job and his wife stand at the bottom corners in a pastoral scene symbolic of their past innocence. On either side, Gothic decorations weave and stretch organically across the page, with peacocks of pride and the parrot of vain repetitions residing on architectural bands. At the top, a cathedral-like tympanum is carved with biblical text and “King Jehovah” written in Hebrew. Blake juxtaposes the image with his own biblical commentary, engaging the reader in the artist’s personal theological interpretation. The primary theme of this Old Testament subject focuses on God’s justice in the face of human suffering, demonstrated through the main character, Job. He is shown in the central panel surrounded by his family, directly imitating the throne of God above Job.

Excerpt from
Nicole Myers, DMA label copy, 2018.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created in 1825

Checked Piction

2nd state

Catalogue essays

Artist/designers
Blake, William (British, 1757-1827)

Cultures

Geography 
Place of origin: London (England): TGN: 7011781

Process/materials
Engraving on paper

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1940.1
tags
#draft
#completed
%copyedited_Gail
%Archived
sitting (seated): AAT: 300263970
gesture: AAT: 300056179
human figures: AAT: 300404114
trees (plants): AAT: 300132410
@Russell
*European Art
text (layout feature): AAT: 300250810
drapery (representations): AAT: 300262585
Bible stories: AAT: 300263184
clouds: AAT: 300343840
wings (animal components): AAT: 300375053
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light (energy): AAT: 300056024
nudity (culture-related concepts): AAT: 300262617
barefoot: AAT: 300404742
works on paper: AAT: 300189621
London (England): TGN: 7011781
suns (stars): AAT: 300379806
parrots (birds/animals/Psittacidae family): AAT: 300250076
borders (ornament areas): AAT: 300010252
paper (fiber product): AAT: 300014109
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books: AAT: 300028051
reading: AAT: 300248178
throne (ceremonial chairs): AAT: 300038141
peacocks (birds/animals/pavo genus): AAT: 300250082
theology: AAT: 300054313
engravings (prints): AAT: 300041340
engraving (printing process): AAT: 300053225
sunbursts: AAT: 300009933
suffering (sensation / psychological concepts): AAT: 300055184
Bible_Old Testament: DMA
source file
object_notes_2_d-0307.xml.nores