GENERAL DESCRIPTION
This figure probably dates from the late 19th century to the early decades of the 20th century, a period of unprecedented missionary activity in Africa with most Christian denominations participating. After the Atlantic slave trade ended and legitimate trade replaced it in the 19th century, European missionary work was resumed in the context of colonization. Under the new conditions Western education and culture were keys to success. This does not mean the traditional way of life was abandoned. Instead, in many cultures, Christ was added to the traditional pantheon. Traditional African artists found new patronage in the Christian church for which they created crucifixes and sculptures representing priests and saints, and many artists continued to work in the traditional style of their ethnic group.
This figure, posed in a prayerful attitude, may depict a monk or a nun wearing a pith helmet or a veil. Because both men and women wore habits that concealed their bodies from head to toe, gender identification is difficult. The observant artist carefully depicted the knotted leather or fiber belt with ends that terminate in a cross, the folds of the garment, and the exposed shoes.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, DMA unpublished material, 2008.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 266.
NOTES
Removed the following sentences from the general description because I could not trace them to published sources and they seemed unnecessary: African gods were impotent in the face of Western technology and modern medicine; the African's world had changed. [This does not mean the traditional way of life was abandoned]...or they stopped worshiping the old gods.
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PROVENANCE
n.d.: Private European collection
2008: Dallas Museum of Art, purchased from Shango Gallery, Dallas, Texas
The main source for this provenance is the copy of the invoice dated September 21, 2008 in the Collections Records object file.
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General Description
This figure probably dates from the late 19th century to the early decades of the 20th century, a period of unprecedented missionary activity in Africa with most Christian denominations participating. After the Atlantic slave trade ended and legitimate trade replaced it in the 19th century, European missionary work was resumed in the context of colonization. Under the new conditions Western education and culture were keys to success. This does not mean the traditional way of life was abandoned. Instead, in many cultures, Christ was added to the traditional pantheon. Traditional African artists found new patronage in the Christian church for which they created crucifixes and sculptures representing priests and saints, and many artists continued to work in the traditional style of their ethnic group.
This figure, posed in a prayerful attitude, may depict a monk or a nun wearing a pith helmet or a veil. Because both men and women wore habits that concealed their bodies from head to toe, gender identification is difficult. The observant artist carefully depicted the knotted leather or fiber belt with ends that terminate in a cross, the folds of the garment, and the exposed shoes.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, DMA unpublished material, 2008.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 266.
Fun Facts
Archival Resources
Web Resources
Notes
Removed the following sentences from the general description because I could not trace them to published sources and they seemed unnecessary: African gods were impotent in the face of Western technology and modern medicine; the African's world had changed. [This does not mean the traditional way of life was abandoned]...or they stopped worshiping the old gods.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Private European collection
2008: Dallas Museum of Art, purchased from Shango Gallery, Dallas, Texas
The main source for this provenance is the copy of the invoice dated September 21, 2008 in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.38.2
source file
object_notes_2_d-0304.xml.nores