1993.86.11.FA Takenouchi no Sukune Meets the Dragon King of the Sea


GENERAL DESCRIPTION  
Japanese art of the Meiji period (1868-1912) was designed for an international art market, as Japan was now open to the Western world.  Fine metalworkers, like the maker of this impressive bronze sculpture, turned from producing armor and objects for the samurai class to creating works suited to new patrons, often European or American.  This sculpture was exhibited in both Japan and London in the late 19th century. It represents a mythic tale popular in 19th-century Japan: a great warrior-statesman, Takenouchi no Sukune, defeats a sea monster, thus helping both humans and sea creatures.  The Dragon King of the Sea gives the hero a precious jewel (here a globe of glass) that grants him power over the sea. 

Adapted from
"Takenouchi no Sukune Meets the Dragon King of the Sea," in Dallas Museum of Art: A Guide to the Collection, ed. Bonnie Pittman (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 93.

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AUDIO ASSETS 
Learn about the Meiji period in Japan
  • 44997667: UMO

VIDEO ASSETS
Curator Anne Bromberg discusses this sculpture
  • 12936886: UMO

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apply to objects where number equals 1993.86.11.FA
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General Description
 
Japanese art of the Meiji period (1868-1912) was designed for an international art market, as Japan was now open to the Western world.  Fine metalworkers, like the maker of this impressive bronze sculpture, turned from producing armor and objects for the samurai class to creating works suited to new patrons, often European or American.  This sculpture was exhibited in both Japan and London in the late 19th century. It represents a mythic tale popular in 19th-century Japan: a great warrior-statesman, Takenouchi no Sukune, defeats a sea monster, thus helping both humans and sea creatures.  The Dragon King of the Sea gives the hero a precious jewel (here a globe of glass) that grants him power over the sea. 

Adapted from
"Takenouchi no Sukune Meets the Dragon King of the Sea," in Dallas Museum of Art: A Guide to the Collection, ed. Bonnie Pittman (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 93.

Fun Facts

Archival Resources

Web Resources
 
Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 
Learn about the Meiji period in Japan
  • 44997667: UMO

VIDEO ASSETS
Curator Anne Bromberg discusses this sculpture
  • 12936886: UMO

rules
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Objects
number
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1993.86.11.FA
tags
#draft
sculpture: AAT: 300047090
myth: AAT: 300201023
.TeachingIdeas
@Bilal-Gore
*Arts of Asia
glass (material): AAT: 300010797
metalwork: AAT: 300015336
#routed
Lost-wax process: AAT: 300053113
exhibitions: AAT: 300054766
bronze: AAT: 300010957
creatures: AAT: 300379697
warriors: AAT: 300261945
Meiji: AAT: 300018567
dragons (mythical beings): AAT: 300375726
Japanese: AAT: 300018519
Tokyo (Japan): TGN: 7004472
art market: AAT: 300055675
legends: AAT: 300055923
Sanseisha Company: DMA
South Kensington (London/England): TGN: 7445652
sea monster: AAT: 300380119
44997667: UMO
12936886: UMO
source file
object_notes_2_d-0291.xml.nores