GENERAL DESCRIPTION
Kuduo are cast brass containers for storing valuables; they were also used in religious, social, and civic rites. Arabic calligraphy and geometric motifs were introduced to Akan peoples via the trans-Saharan and trans-Sudanic gold trade. Several Asante towns became important trading centers with a strong Muslim presence. By the 16th century, brass vessels had been assimilated into Akan culture as sacred objects. Their decoration was a combination of Muslim and Akan surface designs. Later, Akan metalsmiths created new configurations and designs based on the prototypes.
This object is an example of a casket kuduo, which are the most complex and typically largest form of Asante cast brass vessels. They have three integrated parts: a pedestal base, a body, and a hinged lid. The lid of the vessel is decorated with geometric relief castings of a stepped pyramid, and other forms that may represent powder kegs and beads. Over time, the complexity of casket kuduo decoration increased; later examples bear figural scenes in high relief.
Adapted from
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.
NOTES
Catalogue essays
Artist/designers
Cultures
Akan (culture): AAT: 300016000
Asante: AAT: 300016004
Akan (culture): AAT: 300016000
Asante: AAT: 300016004
Geography
Ghana (nation): TGN: 1000166
Ghana (nation): TGN: 1000166
Process/materials
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162
Historical periods
Individuals
Subject terms
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886
RELATED OBJECTS
PROVENANCE
Before 1960: Merton Simpson Gallery, New York
Before 1960: Merton Simpson Gallery, New York
1960-2013: Roy and Sophia Seiber
2013-2017: Roy and Sophia Seiber Irrevocable Trust, Bloomington Indiana
From 2017: Dallas Museum of Art, African Collection Fund purchase from above
The main source for this provenance is information previously entered in TMS.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Heilbrunn Timeline of Art History~Learn more about the function and significance of kuduo.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2017.9
Category
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General Description
Kuduo are cast brass containers for storing valuables; they were also used in religious, social, and civic rites. Arabic calligraphy and geometric motifs were introduced to Akan peoples via the trans-Saharan and trans-Sudanic gold trade. Several Asante towns became important trading centers with a strong Muslim presence. By the 16th century, brass vessels had been assimilated into Akan culture as sacred objects. Their decoration was a combination of Muslim and Akan surface designs. Later, Akan metalsmiths created new configurations and designs based on the prototypes.
This object is an example of a casket kuduo, which are the most complex and typically largest form of Asante cast brass vessels. They have three integrated parts: a pedestal base, a body, and a hinged lid. The lid of the vessel is decorated with geometric relief castings of a stepped pyramid, and other forms that may represent powder kegs and beads. Over time, the complexity of casket kuduo decoration increased; later examples bear figural scenes in high relief.
Adapted from
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Akan (culture): AAT: 300016000
Asante: AAT: 300016004
Akan (culture): AAT: 300016000
Asante: AAT: 300016004
Geography
Ghana (nation): TGN: 1000166
Ghana (nation): TGN: 1000166
Process/materials
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162
Historical periods
Individuals
Subject terms
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886
RELATED OBJECTS
PROVENANCE
Before 1960: Merton Simpson Gallery, New York
Before 1960: Merton Simpson Gallery, New York
1960-2013: Roy and Sophia Seiber
2013-2017: Roy and Sophia Seiber Irrevocable Trust, Bloomington Indiana
From 2017: Dallas Museum of Art, African Collection Fund purchase from above
The main source for this provenance is information previously entered in TMS.
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VIDEO ASSETS
rules
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Objects
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2017.9
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object_notes_2_d-0260.xml.nores