GENERAL DESCRIPTION
Following the fall of the Ming dynasty, during which porcelain decorated in underglaze blue dominated, Chinese potters introduced a wide range of overglaze enamel colors, producing beautiful polychrome wares. Such ware is called Kangxi porcelain since it was for the most part made during that emperor's reign (1662-1722). Evidently, little of this new multicolored pottery was sent abroad during the first part of the new reign. In 1662, the Chinese retook the trading center of Formosa from the Dutch, making it more difficult for Europeans to trade. Furthermore, the kilns at Jingdezhen were destroyed by internal violence in 1673 and not rebuilt until 1682. However, once production was revived, large quantities of Kangxi porcelain were exported to Europe, the Middle East, and the Americas.
This dish, and another closely related example in the Reves collection (see 1985.R.859), has a double foot rim that was in use between the late 1650s and early 1670s.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 93.
NOTES
TMS updates:
provenance
place of origin
text entry
search dates
Letter (dated March 3, 1991) found in the object files addressed to Charles Venable from Clare Le Corbeiller (Associate Curator for Dec Arts at the Met) regarding the dating of this object.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain
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RULES
Apply to objects where number equals 1985.R.858
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General Description
Following the fall of the Ming dynasty, during which porcelain decorated in underglaze blue dominated, Chinese potters introduced a wide range of overglaze enamel colors, producing beautiful polychrome wares. Such ware is called Kangxi porcelain since it was for the most part made during that emperor's reign (1662-1722). Evidently, little of this new multicolored pottery was sent abroad during the first part of the new reign. In 1662, the Chinese retook the trading center of Formosa from the Dutch, making it more difficult for Europeans to trade. Furthermore, the kilns at Jingdezhen were destroyed by internal violence in 1673 and not rebuilt until 1682. However, once production was revived, large quantities of Kangxi porcelain were exported to Europe, the Middle East, and the Americas.
This dish, and another closely related example in the Reves collection (see 1985.R.859), has a double foot rim that was in use between the late 1650s and early 1670s.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 93.
Fun Facts
Archival Resources
Web Resources
Notes
TMS updates:
provenance
place of origin
text entry
search dates
Letter (dated March 3, 1991) found in the object files addressed to Charles Venable from Clare Le Corbeiller (Associate Curator for Dec Arts at the Met) regarding the dating of this object.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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VIDEO ASSETS
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Objects
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1985.R.858
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object_notes_2_d-0256.xml.nores