1969.10 Head of a Deity


GENERAL DESCRIPTION  
The Khmer king Yashovarman (r. 889-early 10th century CE) moved the kingdom's capital from Hariharalaya to the site today known as Angkor to establish his kingdom of Yashodharapura. He had already constructed temples in his ancestors' memories, and at Yashodharapura he built a pyramidal temple at the top of Phnom Bakheng, one of the few hills on the plain, and to the east constructed a great baray (reservoir). These three actscommemorating ancestors, constructing a waterworks, and building a temple in his own honorbecame the common dedications of a Khmer king. 

During his reign, Yashovarman constructed other temples, including two dedicated to the Hindu triad of Shiva, Vishnu, and Brahma. While the complete sculptures of those figures no longer exist, the extant heads from his temple of Phnom Bok (built atop another hill) provide a clue for the identification of this head. The crown of the Phnom Bok Vishnu is multi-tiered, as is this figure's crown, suggesting that this head comes from a Vishnu figure. 

In the earliest period of pre-Khmer art, Vishnu was the most popular of the Hindu gods, a popularity eclipsed by Shiva in the 9th century. As preserver, Vishnu took a variety of forms to overcome demonic threats or problems that confronted the human race. Yet, during this early period, it was in his four-armed form, not as one of his avatars, that he was most commonly depicted. 

The characteristics that date this sculpture to the Bakheng period include the lozenge and half-lozenge band around the diadem and the treatment of the face, with its continuous brow, clearly delineated hairline and beard, and frank, outward expression. All are expressive of this early, strong, masculine style. 

Excerpt from
  • Nancy Tingley, "Head of a deity," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 212.  

NOTES

Catalogue essays

Artist/designers

Cultures
Khmer: AAT: 300386546
Bakheng: AAT: 300019138

Geography 
Cambodia (nation): TGN: 1000109

Process/materials
sandstone: AAT: 300011376
sculpture: AAT: 300047090

Historical periods
First quarter of the 10th century, CE


Individuals

Subject terms
reservoirs (water distribution): AAT: 300006191
Angkor (deserted settlement/Cambodia): TGN: 7004075
ancestors: AAT: 300255718

RELATED OBJECTS 

PROVENANCE 
Before 1969: Peter Marks Works of Art, New York

1969: Dallas Museum of Fine Arts, Dallas Art Association Purchase from above. [1][2]

The main source for this provenance is the invoice dated May 31, 1969, copy in Dallas Museum of Art Collections Records Object File. Exceptions are noted. 

[1]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1969.10

Category
rules_operator
AND
General Description
 
The Khmer king Yashovarman (r. 889-early 10th century CE) moved the kingdom's capital from Hariharalaya to the site today known as Angkor to establish his kingdom of Yashodharapura. He had already constructed temples in his ancestors' memories, and at Yashodharapura he built a pyramidal temple at the top of Phnom Bakheng, one of the few hills on the plain, and to the east constructed a great baray (reservoir). These three actscommemorating ancestors, constructing a waterworks, and building a temple in his own honorbecame the common dedications of a Khmer king. 

During his reign, Yashovarman constructed other temples, including two dedicated to the Hindu triad of Shiva, Vishnu, and Brahma. While the complete sculptures of those figures no longer exist, the extant heads from his temple of Phnom Bok (built atop another hill) provide a clue for the identification of this head. The crown of the Phnom Bok Vishnu is multi-tiered, as is this figure's crown, suggesting that this head comes from a Vishnu figure. 

In the earliest period of pre-Khmer art, Vishnu was the most popular of the Hindu gods, a popularity eclipsed by Shiva in the 9th century. As preserver, Vishnu took a variety of forms to overcome demonic threats or problems that confronted the human race. Yet, during this early period, it was in his four-armed form, not as one of his avatars, that he was most commonly depicted. 

The characteristics that date this sculpture to the Bakheng period include the lozenge and half-lozenge band around the diadem and the treatment of the face, with its continuous brow, clearly delineated hairline and beard, and frank, outward expression. All are expressive of this early, strong, masculine style. 

Excerpt from
  • Nancy Tingley, "Head of a deity," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 212.  

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures
Khmer: AAT: 300386546
Bakheng: AAT: 300019138

Geography 
Cambodia (nation): TGN: 1000109

Process/materials
sandstone: AAT: 300011376
sculpture: AAT: 300047090

Historical periods
First quarter of the 10th century, CE


Individuals

Subject terms
reservoirs (water distribution): AAT: 300006191
Angkor (deserted settlement/Cambodia): TGN: 7004075
ancestors: AAT: 300255718

RELATED OBJECTS 

PROVENANCE 
Before 1969: Peter Marks Works of Art, New York

1969: Dallas Museum of Fine Arts, Dallas Art Association Purchase from above. [1][2]

The main source for this provenance is the invoice dated May 31, 1969, copy in Dallas Museum of Art Collections Records Object File. Exceptions are noted. 

[1]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1969.10
tags
#draft
#completed
%copyedited_Gail
sculpture: AAT: 300047090
%Archived
heads (representations): AAT: 300262520
*Arts of Asia
@Courtney
diadems (headbands): AAT: 300046021
ancestors: AAT: 300255718
sandstone: AAT: 300011376
Cambodia (nation): TGN: 1000109
Khmer: AAT: 300386546
Angkor (deserted settlement/Cambodia): TGN: 7004075
Vishnu (Hindu deity): DMA
Bakheng: AAT: 300019138
reservoirs (water distribution): AAT: 300006191
source file
object_notes_2_d-0193.xml.nores