GENERAL DESCRIPTION
In 1973, the artist Donald Judd (American, 1928-1994) moved his studio to Marfa, Texas. Lack of quality furniture available in Marfa prompted him to construct his first beds, chairs, tables, and desks for his own use. He nailed together pieces of wood cut at a lumberyard to create simple, functional works. Judd's original designs, mostly built by local assistants for his own use, were subsequently executed in plywood, aluminum, copper, and other materials by Holland manufacturer Janssen C.V.
Like all of his furniture, this chair is closely related to Judd's minimalist sculpture. The basic form was considered ideal for mass production, but the nature of its construction required extensive handwork. Based on a perfect cube, this chair relates well to the DMA's untitled Judd sculpture of 1988 (1990.137.A-F) and four later Plywood Chairs he designed in 1991 (1992.26.1-4). Rather than repeat the same form to make a series, Judd modulates the cube with metallic surface and structural changes while maintaining the basic overall shape. Of his chair designs, Judd stated, "The furniture is comfortable to me...A straight chair is best for eating or writing. The third position is standing."
Adapted from
- Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 351.
- Kevin W. Tucker, DMA unpublished [2010.40], 2010.
NOTES
- updated provenance and geo x refs in TMS
- added Guide to the Collection excerpt as a text entry
Catalogue essay
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
From 2010: Dallas Museum of Art, gift of Robert Dean Brownlee
AUDIO ASSETS
13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Donald Judd Foundation~Explore the furniture of Donald Judd.
- Scribd~Follow this link to read Donald Judd's 1993 essay "It's Hard to Find a Good Lamp," discussing the relationship between art and furniture.
- Christie's~Watch a video of scholars discussing Judd's furniture design.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2010.40
Category
rules_operator
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General Description
In 1973, the artist Donald Judd (American, 1928-1994) moved his studio to Marfa, Texas. Lack of quality furniture available in Marfa prompted him to construct his first beds, chairs, tables, and desks for his own use. He nailed together pieces of wood cut at a lumberyard to create simple, functional works. Judd's original designs, mostly built by local assistants for his own use, were subsequently executed in plywood, aluminum, copper, and other materials by Holland manufacturer Janssen C.V.
Like all of his furniture, this chair is closely related to Judd's minimalist sculpture. The basic form was considered ideal for mass production, but the nature of its construction required extensive handwork. Based on a perfect cube, this chair relates well to the DMA's untitled Judd sculpture of 1988 (1990.137.A-F) and four later Plywood Chairs he designed in 1991 (1992.26.1-4). Rather than repeat the same form to make a series, Judd modulates the cube with metallic surface and structural changes while maintaining the basic overall shape. Of his chair designs, Judd stated, "The furniture is comfortable to me...A straight chair is best for eating or writing. The third position is standing."
Adapted from
- Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 351.
- Kevin W. Tucker, DMA unpublished [2010.40], 2010.
Fun Facts
Archival Resources
Web Resources
- Donald Judd Foundation~Explore the furniture of Donald Judd.
- Scribd~Follow this link to read Donald Judd's 1993 essay "It's Hard to Find a Good Lamp," discussing the relationship between art and furniture.
- Christie's~Watch a video of scholars discussing Judd's furniture design.
Notes
- updated provenance and geo x refs in TMS
- added Guide to the Collection excerpt as a text entry
Catalogue essay
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
From 2010: Dallas Museum of Art, gift of Robert Dean Brownlee
AUDIO ASSETS
13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2010.40
source file
object_notes_2_d-0172.xml.nores