GENERAL DESCRIPTION
Column-like pilasters flanking the arch-paneled doors, massive scale, bold carving, and gleaming brass hardware combine to create an object that approaches architecture in its solidity and scale. As the exterior suggests the complexity of a building, the interior, with its drawers, shelves, and compartments, served as the organizational center for a powerful merchant. Bills, accounts, shipping receipts, orders, and inventories were easily organized in its shelves and niches, while private documents, maps, rolled charts, and books fit neatly into its lower drawers.
Colonel Joseph Sprague, the first owner of this desk, was among the richest and most powerful men of Colonial Salem. An import-export businessman, stock owner, and investor, he must have made good use of this luxurious piece of architectural furniture in organizing his business affairs.
While scholarly essays published by Dr. Charles Venable in his 1989 catalog American Furniture in the Bybee Collection attribute this object to Henry Rust, further investigation and extensive research conducted beginning in March 2006 by Kemble Widner and Joyce King reattribute this work to the workshop of well-known cabinetmaker Nathaniel Gould. This groundbreaking scholarship attributed and reattributed objects to Gould in collections all over the U.S., including the Metropolitan in New York, and culminated in the exhibition "In Plain Sight: Discovering the Furniture of Nathaniel Gould" at The Peabody-Essex Museum in 2015.
Adapted from
- Kevin W. Tucker, DMA unpublished material, Label text (1985.B.27.A-B), 2006.
- Attribution note (1985.B.27.A-B), July 2016.
NOTES
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay and "Guide to the collection" entry added to TMS as text entries
- a confusing attribution. It seems like it was thought to be Gould, and then Venable reattributed it to Henry Rust (evidence provided in his catalog essay) and then later scholarship re-reattributed it to Gould.
- fun fact source: DMA pamphlet, "The Faith P. and Charles L. Bybee Collection of American Decorative Arts" found in the Bybee artist file in the DMA's Mayer Library.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
About 1760-1808: Major Joseph (1739-1808) and Elizabeth White Sprague (1743-1807), Salem, Massachusetts
1808-1844: Dr. William (1754-1819) and Sarah Sprague Stearns (1764-1844), Salem, Massachusetts
After 1844: Richard (1802-1840) and Marianne Theresa St. Agnau (b. 1806), Salem, Massachusetts
mid/late 19th century: William (1822-1905) and Hannah Emily Whiteman, Salem, Massachusetts
late 19th/early 20th century: Richard S. Stearns, Sr., Salem, Massachusetts
Until 1958: Emily St. Agnau Sterns, Salem, Massachusetts
1958: Swett's Auction Gallery, Boston, Massachusetts
1958: Israel Sack, Inc., New York, New York
1958-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 63.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Antiques and the Arts Weekly~Read about this bookcase's re-attribution in, "A Mystery Unraveled: Salem Cabinetmaker Nathaniel Gould."
- The Peabody Essex Museum~Read about the exhibition "Nathaniel Gould: In Plain Sight."
- Metropolitan Museum of Art~See the other Desk and bookcase now attributed to Nathaniel Gould.
- Museum of Fine Arts, Boston~View a desk also now attributed to Nathaniel Gould.
ARCHIVAL RESOURCES
FUN FACTS
This complex piece was constructed by fitting several hundred pieces of shaped wood together into one grand architectonic design.
TEACHING IDEAS
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Apply to objects where number equals 1985.B.27.A-B
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General Description
Column-like pilasters flanking the arch-paneled doors, massive scale, bold carving, and gleaming brass hardware combine to create an object that approaches architecture in its solidity and scale. As the exterior suggests the complexity of a building, the interior, with its drawers, shelves, and compartments, served as the organizational center for a powerful merchant. Bills, accounts, shipping receipts, orders, and inventories were easily organized in its shelves and niches, while private documents, maps, rolled charts, and books fit neatly into its lower drawers.
Colonel Joseph Sprague, the first owner of this desk, was among the richest and most powerful men of Colonial Salem. An import-export businessman, stock owner, and investor, he must have made good use of this luxurious piece of architectural furniture in organizing his business affairs.
While scholarly essays published by Dr. Charles Venable in his 1989 catalog American Furniture in the Bybee Collection attribute this object to Henry Rust, further investigation and extensive research conducted beginning in March 2006 by Kemble Widner and Joyce King reattribute this work to the workshop of well-known cabinetmaker Nathaniel Gould. This groundbreaking scholarship attributed and reattributed objects to Gould in collections all over the U.S., including the Metropolitan in New York, and culminated in the exhibition "In Plain Sight: Discovering the Furniture of Nathaniel Gould" at The Peabody-Essex Museum in 2015.
Adapted from
- Kevin W. Tucker, DMA unpublished material, Label text (1985.B.27.A-B), 2006.
- Attribution note (1985.B.27.A-B), July 2016.
Fun Facts
This complex piece was constructed by fitting several hundred pieces of shaped wood together into one grand architectonic design.
Archival Resources
Web Resources
- Antiques and the Arts Weekly~Read about this bookcase's re-attribution in, "A Mystery Unraveled: Salem Cabinetmaker Nathaniel Gould."
- The Peabody Essex Museum~Read about the exhibition "Nathaniel Gould: In Plain Sight."
- Metropolitan Museum of Art~See the other Desk and bookcase now attributed to Nathaniel Gould.
- Museum of Fine Arts, Boston~View a desk also now attributed to Nathaniel Gould.
Notes
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay and "Guide to the collection" entry added to TMS as text entries
- a confusing attribution. It seems like it was thought to be Gould, and then Venable reattributed it to Henry Rust (evidence provided in his catalog essay) and then later scholarship re-reattributed it to Gould.
- fun fact source: DMA pamphlet, "The Faith P. and Charles L. Bybee Collection of American Decorative Arts" found in the Bybee artist file in the DMA's Mayer Library.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
About 1760-1808: Major Joseph (1739-1808) and Elizabeth White Sprague (1743-1807), Salem, Massachusetts
1808-1844: Dr. William (1754-1819) and Sarah Sprague Stearns (1764-1844), Salem, Massachusetts
After 1844: Richard (1802-1840) and Marianne Theresa St. Agnau (b. 1806), Salem, Massachusetts
mid/late 19th century: William (1822-1905) and Hannah Emily Whiteman, Salem, Massachusetts
late 19th/early 20th century: Richard S. Stearns, Sr., Salem, Massachusetts
Until 1958: Emily St. Agnau Sterns, Salem, Massachusetts
1958: Swett's Auction Gallery, Boston, Massachusetts
1958: Israel Sack, Inc., New York, New York
1958-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 63.
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