1985.B.27.A-B, workshop of Nathaniel Gould, Desk and bookcase, Salem, c. 1770-1776


GENERAL DESCRIPTION  
Column-like pilasters flanking the arch-paneled doors, massive scale, bold carving, and gleaming brass hardware combine to create an object that approaches architecture in its solidity and scale. As the exterior suggests the complexity of a building, the interior, with its drawers, shelves, and compartments, served as the organizational center for a powerful merchant. Bills, accounts, shipping receipts, orders, and inventories were easily organized in its shelves and niches, while private documents, maps, rolled charts, and books fit neatly into its lower drawers.

Colonel Joseph Sprague, the first owner of this desk, was among the richest and most powerful men of Colonial Salem. An import-export businessman, stock owner, and investor, he must have made good use of this luxurious piece of architectural furniture in organizing his business affairs.

While scholarly essays published by Dr. Charles Venable in his 1989 catalog American Furniture in the Bybee Collection attribute this object to Henry Rust, further investigation and extensive research conducted beginning in March 2006 by Kemble Widner and Joyce King reattribute this work to the workshop of well-known cabinetmaker Nathaniel Gould. This groundbreaking scholarship attributed and reattributed objects to Gould in collections all over the U.S., including the Metropolitan in New York, and culminated in the exhibition "In Plain Sight: Discovering the Furniture of Nathaniel Gould" at The Peabody-Essex Museum in 2015. 

Adapted from
  • Kevin W. Tucker, DMA unpublished material, Label text (1985.B.27.A-B), 2006.
  • Attribution note (1985.B.27.A-B), July 2016.

NOTES
  • provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
  • Venable catalogue essay and "Guide to the collection" entry added to TMS as text entries
  •  a confusing attribution. It seems like it was thought to be Gould, and then Venable reattributed it to Henry Rust (evidence provided in his catalog essay) and then later scholarship re-reattributed it to Gould.
  • fun fact source: DMA pamphlet, "The Faith P. and Charles L. Bybee Collection of American Decorative Arts" found in the Bybee artist file in the DMA's Mayer Library.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
About 1760-1808: Major Joseph (1739-1808) and Elizabeth White Sprague (1743-1807), Salem, Massachusetts

1808-1844: Dr. William (1754-1819) and Sarah Sprague Stearns (1764-1844), Salem, Massachusetts

After 1844: Richard (1802-1840) and Marianne Theresa St. Agnau (b. 1806), Salem, Massachusetts

mid/late 19th century: William (1822-1905) and Hannah Emily Whiteman, Salem, Massachusetts

late 19th/early 20th century: Richard S. Stearns, Sr., Salem, Massachusetts

Until 1958: Emily St. Agnau Sterns, Salem, Massachusetts

1958: Swett's Auction Gallery, Boston, Massachusetts

1958: Israel Sack, Inc., New York, New York

1958-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas

From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee

Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 63.

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FUN FACTS
This complex piece was constructed by fitting several hundred pieces of shaped wood together into one grand architectonic design.

TEACHING IDEAS

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Apply to objects where number equals 1985.B.27.A-B

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General Description
 
Column-like pilasters flanking the arch-paneled doors, massive scale, bold carving, and gleaming brass hardware combine to create an object that approaches architecture in its solidity and scale. As the exterior suggests the complexity of a building, the interior, with its drawers, shelves, and compartments, served as the organizational center for a powerful merchant. Bills, accounts, shipping receipts, orders, and inventories were easily organized in its shelves and niches, while private documents, maps, rolled charts, and books fit neatly into its lower drawers.

Colonel Joseph Sprague, the first owner of this desk, was among the richest and most powerful men of Colonial Salem. An import-export businessman, stock owner, and investor, he must have made good use of this luxurious piece of architectural furniture in organizing his business affairs.

While scholarly essays published by Dr. Charles Venable in his 1989 catalog American Furniture in the Bybee Collection attribute this object to Henry Rust, further investigation and extensive research conducted beginning in March 2006 by Kemble Widner and Joyce King reattribute this work to the workshop of well-known cabinetmaker Nathaniel Gould. This groundbreaking scholarship attributed and reattributed objects to Gould in collections all over the U.S., including the Metropolitan in New York, and culminated in the exhibition "In Plain Sight: Discovering the Furniture of Nathaniel Gould" at The Peabody-Essex Museum in 2015. 

Adapted from
  • Kevin W. Tucker, DMA unpublished material, Label text (1985.B.27.A-B), 2006.
  • Attribution note (1985.B.27.A-B), July 2016.

Fun Facts
This complex piece was constructed by fitting several hundred pieces of shaped wood together into one grand architectonic design.

Archival Resources

Web Resources
 
Notes
  • provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
  • Venable catalogue essay and "Guide to the collection" entry added to TMS as text entries
  •  a confusing attribution. It seems like it was thought to be Gould, and then Venable reattributed it to Henry Rust (evidence provided in his catalog essay) and then later scholarship re-reattributed it to Gould.
  • fun fact source: DMA pamphlet, "The Faith P. and Charles L. Bybee Collection of American Decorative Arts" found in the Bybee artist file in the DMA's Mayer Library.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
About 1760-1808: Major Joseph (1739-1808) and Elizabeth White Sprague (1743-1807), Salem, Massachusetts

1808-1844: Dr. William (1754-1819) and Sarah Sprague Stearns (1764-1844), Salem, Massachusetts

After 1844: Richard (1802-1840) and Marianne Theresa St. Agnau (b. 1806), Salem, Massachusetts

mid/late 19th century: William (1822-1905) and Hannah Emily Whiteman, Salem, Massachusetts

late 19th/early 20th century: Richard S. Stearns, Sr., Salem, Massachusetts

Until 1958: Emily St. Agnau Sterns, Salem, Massachusetts

1958: Swett's Auction Gallery, Boston, Massachusetts

1958: Israel Sack, Inc., New York, New York

1958-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas

From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee

Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 63.

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1985.B.27.A-B
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
carving (processes): AAT: 300053149
*Decorative Arts and Design
businesses (business enterprises): AAT: 300025966
cabinetmakers: AAT: 300025370
pine (wood): AAT: 300012620
finials: AAT: 300002280
mahogany (wood): AAT: 300012221
drawers (furniture components): AAT: 300040558
shelves: AAT: 300165847
architectural furniture: AAT: 300040029
Salem (Massachusetts/United States): TGN: 7014447
desks and bookcases: AAT: 300039347
pilasters: AAT: 300002737
broken pediment: AAT: 300002732
Chippendale: AAT: 300021214
desks: AAT: 300039338
solid (material): AAT: 300015377
source file
object_notes_2_d-0156.xml.nores