GENERAL DESCRIPTION
Created in unlimited edition from rubber impregnated with a gold ball, Otto Künzli's most well-known work is the Gold Makes Blind armpiece. The bracelet's simplicity in structure belies the complex concept behind the work - the fact that gold, for Künzli, had lost its symbolic quality. In Gold Makes You Blind, the gold ball is hidden from the viewer, and as a result the viewer is forced to "blindly" accept the fact that it is there.
Of his changing relationship to the material, Künzli once stated, "In 1980 I stopped using gold for a while because of considerations like these, social changes in the late 1970s and certain personal experiences. I wanted to achieve detachment in the hope that, after a period of abstinence, I would be able to re-appraise gold. A final work with gold was created as a manifestation of this decision: a bangle of black rubber, the interior consisting of a golden ball-like a snake with a small elephant in its belly. It was time for gold to return to the darkness."
Adapted from
Kevin W. Tucker, DMA unpublished material, 2010.
NOTES
- DMA unpublished material = acquisition justification (2010.24.6), September 2010
- updated provenance
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PROVENANCE
Until 2010: Collection of Deedie Rose, Dallas, Texas
From 2010: Dallas Museum of Art, gift of above
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MET Museum~See another example of a Otto Künzli, "Gold Makes You Blind" bracelet.
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General Description
Created in unlimited edition from rubber impregnated with a gold ball, Otto Künzli's most well-known work is the Gold Makes Blind armpiece. The bracelet's simplicity in structure belies the complex concept behind the work - the fact that gold, for Künzli, had lost its symbolic quality. In Gold Makes You Blind, the gold ball is hidden from the viewer, and as a result the viewer is forced to "blindly" accept the fact that it is there.
Of his changing relationship to the material, Künzli once stated, "In 1980 I stopped using gold for a while because of considerations like these, social changes in the late 1970s and certain personal experiences. I wanted to achieve detachment in the hope that, after a period of abstinence, I would be able to re-appraise gold. A final work with gold was created as a manifestation of this decision: a bangle of black rubber, the interior consisting of a golden ball-like a snake with a small elephant in its belly. It was time for gold to return to the darkness."
Adapted from
Kevin W. Tucker, DMA unpublished material, 2010.
Fun Facts
Archival Resources
Web Resources
Notes
- DMA unpublished material = acquisition justification (2010.24.6), September 2010
- updated provenance
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2010: Collection of Deedie Rose, Dallas, Texas
From 2010: Dallas Museum of Art, gift of above
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2010.24.6
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object_notes_2_d-0116.xml.nores