GENERAL DESCRIPTION
Circular tables with tripod bases and tilting tops were extremely popular among wealthy Philadelphians during the last half of the 18th century. Numerous examples survive today. Within this large group, tables that incorporate a compressed ball and Doric column into their pedestal design, such as this example, are the most common.
With its small top (less than 22" [55.9 cm.] wide), uncarved pedestal and legs, and plain feet, this example was one of the simplest, yet fashionable, folding tables available in 18th century Philadelphia. A 1772 cabinetmaker's price book describes such a mahogany "folding Stand" as "22 inches with a box plain top and feet £ 1.15.0." Labor costs were 11s. Although such stands were unembellished beyond their fine turning and proportions, they were not inexpensive.
The description of this type of small table as a "folding stand" indicates that it was used for a variety of purposes. The wide top, for example, is large enough to serve tea to one or two people, or to hold candlesticks, books, and wine glasses. The table's small size and lightweight construction also allowed it to be moved throughout a house as needed.
Adapted from
Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 47.
NOTES
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay added to TMS as a text entry
Catalogue essays
Artist/designers
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PROVENANCE
n.d.: Harry Arons, Ansonia, Connecticut
Before 1960: Israel Sack, Inc., New York, New York
1960-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 24.
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General Description
Circular tables with tripod bases and tilting tops were extremely popular among wealthy Philadelphians during the last half of the 18th century. Numerous examples survive today. Within this large group, tables that incorporate a compressed ball and Doric column into their pedestal design, such as this example, are the most common.
With its small top (less than 22" [55.9 cm.] wide), uncarved pedestal and legs, and plain feet, this example was one of the simplest, yet fashionable, folding tables available in 18th century Philadelphia. A 1772 cabinetmaker's price book describes such a mahogany "folding Stand" as "22 inches with a box plain top and feet £ 1.15.0." Labor costs were 11s. Although such stands were unembellished beyond their fine turning and proportions, they were not inexpensive.
The description of this type of small table as a "folding stand" indicates that it was used for a variety of purposes. The wide top, for example, is large enough to serve tea to one or two people, or to hold candlesticks, books, and wine glasses. The table's small size and lightweight construction also allowed it to be moved throughout a house as needed.
Adapted from
Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 47.
Fun Facts
Archival Resources
Web Resources
Notes
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay added to TMS as a text entry
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Harry Arons, Ansonia, Connecticut
Before 1960: Israel Sack, Inc., New York, New York
1960-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 24.
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